This abstract artwork features a vibrant color palette of warm shades, including pink, orange, and ochre. The composition is divided into rectangular panels, creating a patchwork-like effect. Prominent shapes and silhouettes emerge, suggesting natural forms or landscapes, though they remain ambiguous and open to interpretation. The artist employs a mix of textured and flat surfaces, blending different painting techniques to achieve a sense of depth and visual interest. The overall style reflects a modernist approach, where the focus is on the interplay of color, form, and material rather than representational subject matter. This piece likely reflects the artist's exploration of the emotive and expressive potential of abstract art within the context of contemporary painting. ...
Miranda Fengyuan Zhang approaches fabric as a vibrant storyteller, crafting woven landscapes that explore identity, memory, and the interplay between tradition and modernity. Her work elevates textile beyond craft, positioning it as a profound medium for personal and collective storytelling. Drawing from traditional Chinese weaving techniques and her own transnational experiences, Zhang constructs dense, layered works that blur the line between painting and sculpture. Color, texture, and thread become narrative tools—each strand charged with emotion, place, and history. Her abstract forms often suggest organic movement, evoking landscapes, bodies, or elemental forces in flux. Zhang’s process is meditative yet labor-intensive, rooted in repetition and intuition. Through this physical engagement, her works embody both presence and absence—materializing what is often invisible: the rhythms of memory, displacement, and resilience. She embraces imperfection, allowing irregularities to surface as vital parts of the work’s meaning. Her practice resists easy categorization, instead opening a space where textile becomes a portal into feeling, remembrance, and transformation. Zhang invites viewers to read fabric as language—one that speaks in loops, knots, and gradients, bridging personal history and collective texture with quiet power. ...
C L E A R I N G is a contemporary art gallery based in New York, Los Angeles and Brussels. The gallery was founded in 2011, with the focus of showing emerging art. It now represents over 20 living artists, providing many of them - such as Harold Ancart, Korakrit Arunanondchai, Chase Hall, Calvin Marcus and Marina Pinsky - with their first gallery exhibition. The gallery also represents the estates of Eduardo Paolozzi, Bruno Gironcoli and René Heyvaert. C L E A R I N G supports its artists by producing works, exhibitions and books, as well as working closely with public and private institutions. ...
