Cleansed, but only for today

Natalia González Martín

Cleansed, but only for today, 202317 x 12.5 x 2cmSign in to view price
Details
MaterialGallery
Description
Human-crafted. AI-refined.

The artwork features a close-up portrait of a woman's face partially obscured by raindrops or water droplets. The dominant colors are muted pinks and grays, creating a soft, atmospheric quality. The composition is centered on the subject's eyes, which are pensive and introspective, drawing the viewer's attention. The artist has employed a photorealistic style, capturing the delicate textures and reflections of the water droplets with precision. This piece likely explores themes of vulnerability, emotion, and the human experience in a contemplative and evocative manner. ...

Similar Artworks
Flamingo Area
Reuben Gordon
Flamingo Area, 2023
96.5 x 145cm
B and 10th (Charlie Parker Place)
Reuben Gordon
B and 10th (Charlie Parker Place), 2021
83.8 x 55.9cm
Part and Proposal: Storr
Tanoa Sasraku
Part and Proposal: Storr, 2021
29.7 x 21cm
Refugio
Reuben Gordon
Refugio, 2020
47.8 x 68cm
Stripe
Coumba Samba
Stripe, 2023
200 x 150cm
Boulder, Iceland, 2008
Hamish Fulton
Boulder, Iceland, 2008, 2008
73 x 85 x 5cm
Stripe
Coumba Samba
Stripe, 2023
200 x 290cm
She Read Me My Miranda Rights
Reuben Gordon
She Read Me My Miranda Rights, 2023
117 x 162.5cm
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo
Zineb Sedira
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 2021
84 x 57cm
Lagos still life II
Wolfgang Tillmans
Lagos still life II, 2022
30.5 x 40.6cm
Sleeve Front L
Tanoa Sasraku
Sleeve Front L, 2023
94 x 58 x 4.5cm
End of line
Untitled (Leaf)
Antonio Tarsis
Untitled (Leaf), 2024
61.5 x 62 x 4cm
Learnt Behaviour
Sophie Ruigrok
Learnt Behaviour, 2022
57 x 37cm
Natalia González Martín
Artist
Natalia González Martín
B.1995

Borrowing the formal qualities of icon painting, Natalia Gonzalez Martin’s work explores the inscriptions of a cultural heritage on one’s physical body and moral codes. Placed in a bucolic setting, the figures represented are often adorned with detailed elements as delicate as fabrics, ripe tempting fruits and crawling insects. They are filled with historic symbolism, allowing us to pay attention to the traditions, gestures and habits we have inherited. Natalia’s work merges the characters from old fables with the constant supply of images we are subjected to daily aiming to blur the boundaries between divine, secular and earth in order to gesture towards other ways of desiring, feeling or being in the world, attuned to these paradoxes. Fragmentation suggests anteriority, decay and loss in relation to some superseded whole. As an antidote to this, the German tradition of Weltlandschaft painting (World’s Landscape), offers an imaginary panoramic landscape seen from an elevated viewpoint where everything is depicted with hallucinatory detail, allowing the artist to compress the totality of the world in a painting. Natalia creates a synthesis of both these ideas; a totality in the fragment, permitting the viewer to project their own experiences onto these universal gestures. ...

Natalia González Martín: Artworks
Penitence
Flowers Blossomed Under Her Dress
Natalia González Martín
Flowers Blossomed Under Her Dress, 2020
30 x 21cm
Cherries and Lies
Natalia González Martín
Cherries and Lies, 2021
21 x 14cm
Land of Olive
The Veil is Removed
Natalia González Martín
The Veil is Removed, 2021
42 x 29.7cm
Reclining Nude at Night
Natalia González Martín
Reclining Nude at Night, 2021
60 x 42cm
Take All That's Left of My Peach
Natalia González Martín
Take All That's Left of My Peach, 2021
60 x 42cm
Immaculate
Three Bites
Tragicomedy in Two Parts: The Sun
Natalia González Martín
Tragicomedy in Two Parts: The Sun, 2022
91 x 61cm
Desencadenados
Nurture (I am not even hungry)
Natalia González Martín
Nurture (I am not even hungry), 2022
18 x 12.5 x 2cm
Sensitive layer
Natalia González Martín
Sensitive layer, 2023
25 x 20 x 2cm
Cleansed, but only for today
Natalia González Martín
Cleansed, but only for today, 2023
17 x 12.5 x 2cm
Hadn't there been flowers
Natalia González Martín
Hadn't there been flowers, 2023
61 x 91 x 5cm
Red to the touch
Natalia González Martín
Red to the touch, 2023
17.5 x 12.5 x 2cm
Unlock Price & Inquiry Access