The image presents a minimalist artwork featuring the word "DOCENT" in large, bold text against a plain white background. The simple composition and use of a single, neutral color create a clean, striking visual impact. The uppercase lettering is rendered in a modern, sans-serif font, emphasizing the concept and its prominence as the central focus of the piece. The overall style and technique suggest a conceptual approach, where the text itself becomes the subject matter, inviting contemplation on the meaning and significance of the term "docent" within the context of art and education. This minimalist artwork likely reflects the artist's intention to explore the role and importance of the docent in the art world. ...
Nathan zhou (b.1980, Dongguan, China) currently lives and works in Shanghai. Before his full-time professional art career began in 2014, Zhou worked as a translator, a cocktail mixer, a gallery staff as well as an editor at the magazine Art World. Known for his changeful colors and strong contrast, he likes to layer imagery from his everyday hobbies on the canvas. These include music, films, soccer, and arcade games. His instinctive methodology points to his life experiences, creating a forceful space for the imagination.
His works have been featured at various institutional group exhibitions include SNAP Shanghai (2019), Sifang Art Museum (Nanjing, 2018), chi K11 Art Museum (Shanghai, 2016), Power Station of Art (Shanghai, 2016); MOCA Shanghai (2016); CAFA Museum of Art ((Beijing, 2015); Himalayas Museum (Shanghai, 2015); among others.
His recent solo exhibitions include: A Steady Heart, VERRE LIQUIDE (Hangzhou, 2024); The Sound of Nature, AIKE (Shanghai, 2023); Henri Chinaski’s Short Stories Collection 2-William.Marlowe.Te Borring Balls, Tabula Rasa Gallery (Beijing, 2021); Just Hang Out, Breathe, Till I Die, chi K11 art space (Guangzhou, 2019); STREET DOG, AIKE Gallery (Shanghai, 2018); Ghost Dog: The Way of The Lofi King, Tabula Rasa Gallery (Beijing, 2017); Henri Chinaski’s Short Stories Collection, Aike Dellarco (Shanghai, 2016); etc.
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Tabula Rasa Gallery is based in Beijing's 798 art district. Established in 2015, it aims to promote both Chinese and international contemporary artists through exhibitions, talks, research and publication. The gallery name is Latin for 'blank state'. In philosophical discourse, it refers to the idea that our knowledge comes from our experiences and education, all participants are born in a Tabula Rasa state. Tabula Rasa hopes that the exhibitions they present can subvert viewers’ preconceptions, creating conditions for fresh artistic experiments. ...
