Whistling before the end of the world
Whistling before the end of the world
Whistling before the end of the world
Whistling before the end of the world
Whistling before the end of the world
Whistling before the end of the world
Whistling before the end of the world
Whistling before the end of the world

Neil Beloufa

Whistling before the end of the world, 2022100 x 230 x 10cmSign in to view price
Details
MaterialGallery
mdf, leather, synthetic leather, leather, electric cord and plugFrançois Ghebaly
Description
Human-crafted. AI-refined.

This contemporary artwork employs a vibrant color palette of warm oranges and reds contrasted with cooler blues and grays, creating a dynamic and visually striking composition. The central focus is a rectangular tablet-like device, seemingly suspended amidst a collage-like arrangement of abstracted shapes and forms. The artist's skillful use of overlapping layers and textures suggests a sense of depth and complexity, inviting the viewer to explore the interplay between technology and the natural world. The overall style and technique reflect the artist's unique interpretation of the digital age and its impact on modern life. ...

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Neil Beloufa
Artist
Neil Beloufa
B.1985, Algerian

Neïl Beloufa converges his work with sculpture, film and documentary into video installations that examine the blurred intersections between such supposedly divergent notions as reality and fiction, presence and absence, and cause and effect. Beloufa deconstructs his audience’s – and, more broadly, contemporary society’s – apprehension of the limitations that separate these polarities by consistently oscillating between them, stripping away layers of signification and interpretation applied to subjects and objects. Through this framework, and with videos physically embedded into modular apparatus constructed by the artist, Beloufa examines humanitarian crises, urban unrest, and the evils of digital technologies, information streams and chains of production. ...

Neil Beloufa: Artworks
Chapitre 3 - 3
Neil BeloufaChapitre 3 - 3, 2019
137.8 x 99.06 x 6.98cm
Chapitre 5 - 2
Neil BeloufaChapitre 5 - 2, 2019
137.8 x 99.06 x 6.98cm
Chapitre 1 - 3
Neil BeloufaChapitre 1 - 3, 2019
140.97 x 99.06 x 6.98cm
Mehdi dreams of a tan without marks
Rabbit - on an open door at night
Flowers J786GFDR4
Neil BeloufaFlowers J786GFDR4, 2020
165.1 x 129.54 x 10.16cm
Vintage Sunset
Neil BeloufaVintage Sunset, 2020
40.64 x 100.33 x 12.7cm
The Fennec and the Camel
Neil BeloufaThe Fennec and the Camel, 2020
140.97 x 85.09 x 12.7cm
Chapitre 2 - Aluminium
Neil BeloufaChapitre 2 - Aluminium, 2019
139.7 x 97.79 x 6.98cm
Chapitre 1 - Aluminium
Neil BeloufaChapitre 1 - Aluminium, 2019
140.97 x 99.06 x 6.98cm
Juliette needs vacation
Neil BeloufaJuliette needs vacation, 2019
69.85 x 49.53 x 10.16cm
Bottles and Cans on Yellow
Neil BeloufaBottles and Cans on Yellow, 2019
182.88 x 130.18 x 25.4cm
Mini Flowers A
Small flowers A
Giant Flower B
François Ghebaly
Gallery
François Ghebaly
Los Angeles, New York City

Since 2009, François Ghebaly has presented an innovative, eclectic program of Los Angeles-based and international artists. With a history of identifying and championing diverse voices and emerging talent, the gallery’s roster has grown to include 27 artists and 2 artist estates, ranging from early career, such as Sharif Farrag and Ludovic Nkoth, to mid-career, like Christine Sun Kim, Meriem Bennani, Kelly Akashi, Farah Al Qasimi, and Genesis Belanger, to well established, including Sayre Gomez, Kathleen Ryan, Neïl Beloufa and Candice Lin as well as underground legends, like Patrick Jackson and Mike Kuchar. The gallery advances the reach of its artists’ visions by publishing exhibition catalogues and producing artist editions. Located since 2013 in a 12,000 square foot warehouse space in Downtown Los Angeles, the gallery is a mainstay of the burgeoning Arts District community, and recently expanded to New York's Lower East Side. François Ghebaly’s program demonstrates a commitment to challenging work across all media and to fostering the progressive, boundary-pushing practices of its artists. ...

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