Pietro Fachini

Grande sughera, 202471 x 57cm7300 EUR

Details

Material

oil and pigments on lined board

Description

Human-crafted. AI-refined.

This artwork features a visually striking composition of organic, textured forms that resemble natural growth or decay. The predominant colors are earthy tones of green, brown, and orange, creating a sense of natural, weathered materiality. The overall shape suggests a fragmented or abstracted natural element, such as a tree branch or root structure, captured in sharp detail and highlighted against a soft, pastel-hued background. The intricate, sculptural quality of the textured surface reflects the artist's skillful manipulation of the medium, likely a photographic or mixed-media approach. The artwork may explore themes of natural processes, decomposition, or the interplay between organic forms and their environmental context. ...

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Artist

Pietro Fachini

1994 , Italina

Pietro Fachini (1994) is an Italian artist who approached painting in 2017 by attending the atelier of master Maurizio Bottoni, thus approaching Flemish and metaphysical art. Simultaneously, he encountered professor Marco Fantuzzi in Urbino in order to approach the processing of pigments and raw materials from which to derive colours for painting. From this encounter Fachini underlines the importance of the relationship with the material and the search in other continents and cultures of man’s relationship with colour. Currently Fachini carries out studies on colouring earths in Sardinia and on organic pigments in the Colombian Amazon rainforest and in Mexico. In Latin America he studies, with the help of local people, how to stabilize organic dyes to derive pigments, and pictorial media starting from traditional indigenous techniques, such as canvases made from the fibre of particular trees in the Amazon jungle. In collaboration with ArtNoble gallery Pietro Fachini presents to the public for the first time his artistic practice with the exhibition Racconti dalle terre piumate, curated by Arnold Braho. ...