This minimalist sculpture features a series of three dark wooden blocks stacked horizontally on a white wall. The rectangular forms are constructed from richly textured, charred wood, showcasing the natural grain and variations in tone. The overall composition is simple yet visually striking, with the shadows cast by the protruding blocks adding depth and dimensionality. The artist's use of charring as a technique creates a sense of rawness and impermanence, inviting the viewer to contemplate the relationship between natural and constructed elements. This work exemplifies the artist's exploration of materiality and the interplay between light, shadow, and form in a contemplative, abstract manner. ...
The name P420 is inspired by Pantone 420, a universally recognized shade of grey known for its ability to serve as the perfect background, enhancing whatever it accompanies. P420 thus emerges as a platform whose primary aim is to embrace and elevate artistic ideas and expressions, fostering their harmonious coexistence within a context that supports, encourages, and celebrates diversity and innovation. Here, every voice can resonate powerfully and distinctly, much like a work of art standing out against the backdrop of Pantone 420.
P420 has been instrumental in the rediscovery of artists such as Irma Blank, Laura Grisi, Ana Lupas, and Stephen Rosenthal, collaborating directly with the artists or, when necessary, with their heirs or the Estates representing them. Through exhibitions, off-site projects, fairs, and a strong online presence, the gallery also supports the evolving narratives of contemporary art, initiating and supporting the journey of many young emerging talents like Victor Fotso Nyie, Francis Offman, and Shafei Xia. ...
