Roger Hiorns
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Human-crafted. AI-refined.The image depicts a cluttered, industrial-looking space with brick walls that are covered in a collage of handwritten posters, flyers, and protest signs. The dominant colors are yellow, red, and black, creating a striking visual contrast. The overall composition appears chaotic and disorderly, reflecting the urgent and impassioned messaging conveyed through the various text-based elements. The subject matter addresses a range of public health issues, from the "Mad Cow Disease" to calls for "Demand Vaccine Investigation," suggesting a broader social and political commentary. The artistic style and technique employ a grassroots, DIY aesthetic, highlighting the grassroots nature of the activism and protest represented. The context of this artwork suggests a critical engagement with pressing societal concerns and a call for collective action. ...
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Roger Hiorns
1975 , BritishRoger Hiorns employs various techniques and materials to investigate different facets of contemporary life, challenging assumptions and revealing the complexities underlying everyday experiences. His works incorporate found objects and materials, often transformed through processes of assemblage, painting, or chemical alteration. These processes draw attention to unexpected connections and tensions between disparate elements, such as industrial machinery and psychoactive drugs, or brain matter and artistic expression. Hiorns' artistic practice engages with the contemporary challenge of ascribing meaning and significance to the world. He investigates power relations and the subversion of authority through the interaction between organic and inorganic objects, such as a passenger jet aircraft engine atomized, antidepressants embedded in complex machinery, a nude youth aligned with nuanced objects, and a series of buried aircraft. His sculptures occupy a space between opposing concepts, such as construction and destruction, theology and technology, and authoritarian control and organic spontaneity. The underlying sense of discomfort in Hiorns' works connects them to the pervasive global anxiety that permeates our daily existence and understanding of reality.go ...
Corvi-Mora
LondonCorvi-Mora is a contemporary art gallery based in Kennington, South London. The gallery currently represents over 30 artists, including Dominique Gonzalez-Foerster, Lynette Yiadom-Boakye, Alvaro Barrington, Jennifer Packer, Brian Calvin, Tomoaki Suzuki and established international artists such as Turner Prize nominees Roger Hiorns and Lynette Yiadom-Boakye. Corvi-Mora was founded by Tommaso Corvi-Mora in 2000 at premises in London's Warren Street after the closure of the gallery Robert Prime which he founded in partnership with Gregorio Magnani in 1995. Corvi-Mora moved to a space on Kempsford Road in 2004 with the contemporary art gallery greengrassi. Notable exhibitions include Sorrow for A Cipher by Lynette Yiadom-Boakye in 2016, Roger Hiorns in 2004 and 2015, The Commune Itself Becomes a Super State by Liam Gillick in 2007, Rachel Feinstein in 2007, and Richard Hawkins in 2009. ...