Soshiro Matsubara's sculpture features organic, twisted ceramic forms extending from a ghostly, expressionless face. The composition uses earthy tones against a neutral background, creating a stark contrast that highlights the intricate textures and surreal, fragmented anatomy. The style is expressive and disjointed, echoing themes of obsession and longing. Reflecting on Oskar Kokoschka's complex relationship with Alma Mahler, the piece captures the eerie intersection of passion and desperation, embodying Matsubara's fascination with the absurdities of love. ...
Soshiro Matsubara’s work is concerned with eroticism, desire, the lewd and the absurd. During an artistic process that begins with the accumulation of old magazine snippets and antiques, he pieces together assembled sculptures made from glazed ceramics, depictions of estranged or deranged lovers entwined. Much of Matsubara’s work has focused on Oskar Kokoschka and his bizarre and turbulent relationship with Alma Mahler, which saw him commission a life-sized doll of his ex-lover, a physical manifestation of his lovesickness and desperation. Matsubara says that he is attracted to the obsession, attachment, weirdness and humour of the story. Through the installations and paintings that Kokoschka’s love affair inspired, Matsubara raises questions of simulation, stimulation and the uncanny. ...
In 2016 Croy Nielsen moved from Berlin to Vienna, where it is located in the beletage apartment of a historical building in the 1st district. The gallery was founded by Oliver Croy (AT) and Henrikke Nielsen (DK). Artists such as Nina Beier, Marie Lund, and Benoît Maire, have been part of the program since its inception, and were later joined by Olga Balema, Georgia Gardner Gray, and Sandra Mujinga. Vienna-based artists include Ernst Yohji Jaeger, Joanna Woś, and Soshiro Matsubara. The gallery has strong ties to the Nordic region, representing several artists from the Scandinavian contries and regularly participating in fairs and projects in the area. ...
