Steve Bandoma
Details
Description
Human-crafted. AI-refined.This striking black and white artwork features a distorted, almost unrecognizable human face. The prominent elements are the haunting eyes and lips, rendered in a bold, expressive style using ink splatters and blots. The overall composition creates a sense of fragmentation and anonymity, with the mysterious "606" marking adding a layer of symbolism. The artist's technique blends realism and abstraction, evoking a powerful emotional response and inviting the viewer to contemplate themes of identity, dehumanization, and the human condition. This piece appears to be part of a series exploring figures concealed or transformed, reflecting the artist's intention to challenge conventional perceptions. ...
Steve Bandoma: Artworks
Galerie Cécile Fakhoury
Abidjan, Paris, DakarGalerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...