Papier, tirages, film plastique, scotch, feutre, stylo à billeDvir Gallery
Description
Human-crafted. AI-refined.
Thomas Hirschhorn's collage "Sisterhood Brotherhood" is a vibrant assembly of bold red strokes intertwined with a series of overlapping photographs. The composition juxtaposes images of individuals in various contexts, evoking a sense of chaos and unity. The artistic style is raw and dynamic, employing mixed media to blend photographs with expressive brushwork. This piece challenges the viewer to contemplate themes of connectivity and division within societal structures. Hirschhorn’s work often explores the potential of art to engage public spaces, questioning its role and presence beyond traditional confines. ...
Over the years, Hirschhorn has created more than seventy works in public space, questioning the autonomy, the authorship and resistance of a work of art, and asserting the power of art to touch and transform the other. Through his experience of working in public space, Hirschhorn has developed his own guidelines of “Presence and Production” in being present and producing on location during the full course of his projects. Thomas Hirschhorn has dedicated works to philosophers, writers, artists he loves, in the form of large sculpture works such as altars, kiosks, monuments, maps and collages. ...
Dvir Gallery was founded in 1982 by Dvir Intrator to introduce cutting-edge contemporary Israeli artists. In 1994 the gallery broadened its’ representation to include international artists such as Miroslaw Balka, Marianne Berenhaut, Douglas Gordon, Latifa Echakhch, and Lawrence Weiner in its’ program. In 2013, Dvir Gallery combined its’ 3 separate spaces into a 5-story building, the first of its’ kind in Tel Aviv. In 2016, the gallery opened its first gateway to Europe with a branch in Brussels, which strengthen and developed the existing relationship with the international artistic community. Earlier this year, on the occasion of its 40th anniversary, the gallery opened a space in Paris, in the heart of the historical Marais District, emphasizing the special ties and connection the gallery has had, since its beginnings, with the French cultural milieu, collaborating with artists, institutions and private collections. ...
