Untitled 1

Tomas Joshua Leth

Untitled 1, 2024133 x 130cmSign in to view price
Details
MaterialGallery
oil and pastel on cavasCroy Nielsen
Description
Human-crafted. AI-refined.

"Untitled 1" by Tomas Joshua Leth features a tapestry of earthy greens and browns with intricate, organic shapes. The artwork resembles fungal structures and pollen fields, creating a dense, textured surface. Leth employs layered pastels with fingertip strokes, blending abstraction with natural motifs. This piece explores perception and the fluidity of meaning, inviting viewers into an ecosystem where beauty and decay coexist. Leth's work aims to challenge fixed interpretations, inspired by his interest in Impressionism and post-structural philosophy. ...

Similar Artworks
Wavelength
Stephanie SantanaWavelength, 2024
91.4 x 125.7cm
Phantom Pleasures
Cezary PoniatowskiPhantom Pleasures, 2020
64 x 52 x 9cm
Domestication
Cezary PoniatowskiDomestication, 2020
72 x 59 x 18cm
Triumph der Dauer 1
Untitled
Cezary PoniatowskiUntitled, 2023
67 x 35 x 12cm
Triumph der Dauer 2
Safe Passage
Stephanie SantanaSafe Passage, 2024
124.5 x 130.8cm
Untitled
Cezary PoniatowskiUntitled, 2018
86 x 72cm
retry tree
Alina Kunitsynaretry tree, 2023
190 x 120cm
Vantage Point
Stephanie SantanaVantage Point, 2022
85.7 x 87.6cm
Hello strangers
Le Gros Chat
Nils Alix-TabelingLe Gros Chat, 2023
124 x 143 x 5cm
Dibujo (Complemento de lo cotidiano)
Tomas Joshua Leth
Artist
Tomas Joshua Leth
B.1981, Danish

Delving into the mysterious realms of perception, memory, and the uncanny, Tomas Joshua Leth creates richly layered pastel paintings that emerge slowly over weeks or months. Starting with instinctual, organic motifs, he meticulously applies delicate fingertip strokes to build forms that evoke fungal networks, pollen fields, and imagined geological landscapes. His densely textured surfaces—often rendered in earthy reds, royal blues, and vermillion yellows—occupy a space between abstraction and natural patterning. Leth’s intuitive layering process prioritizes surprise and mutation over predetermined structure, reflecting influences from Impressionism, post‑structural philosophy, and mysticism. Rather than depict narrative or literal scenes, his paintings aim to "tear holes" in perception—creating visual environments where meaning remains fluid and unresolved. There's a cyclical tension in his work: the lush beauty of imagined ecosystems hints at underlying decay, renewal, and the instability of existence. His process is tactile and deeply personal, informed by earlier experiences working with sculpture and a philosophy of painting as embodied sensing. Calm yet philosophical, Leth’s art offers alternative modes of seeing—open, mutable, and alive rather than fixed or representational. ...

Tomas Joshua Leth: Artworks
Noor
Tomas Joshua LethNoor, 2025
180 x 365 x 7cm
Untitled 1
Tomas Joshua LethUntitled 1, 2024
133 x 130cm
Untitled 2
Tomas Joshua LethUntitled 2, 2024
133 x 130cm
Untitled
Tomas Joshua LethUntitled, 2024
70 x 90cm
Croy Nielsen
Gallery
Croy Nielsen
Vienna

In 2016 Croy Nielsen moved from Berlin to Vienna, where it is located in the beletage apartment of a historical building in the 1st district. The gallery was founded by Oliver Croy (AT) and Henrikke Nielsen (DK). Artists such as Nina Beier, Marie Lund, and Benoît Maire, have been part of the program since its inception, and were later joined by Olga Balema, Georgia Gardner Gray, and Sandra Mujinga. Vienna-based artists include Ernst Yohji Jaeger, Joanna Woś, and Soshiro Matsubara. The gallery has strong ties to the Nordic region, representing several artists from the Scandinavian contries and regularly participating in fairs and projects in the area. ...