Untitled (The traffic noise arched over a bubbling mass of public conversation and pattering footste...

Vunkwan Tam

Untitled (The traffic noise arched over a bubbling mass of public conversation and pattering footsteps on concrete), 2021182 x 229cmSign in to view price
Details
Material
Body bags
Description
Human-crafted. AI-refined.

This artwork features a rectangular black surface that appears to be made of crumpled plastic or fabric. The composition is dominated by the interplay of light and shadow, creating a sense of depth and texture. The overall visual effect is one of simplicity and minimalism, with the material itself serving as the primary subject. The artist's use of mundane, everyday materials invites the viewer to consider the inherent qualities and beauty of these humble objects. While the piece may seem visually unassuming, it likely explores themes of impermanence, materiality, and the tension between the ordinary and the extraordinary. ...

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Vunkwan Tam

Vunkwan Tam employs a range of media, including sculpture, video, text, sound, and installation, to explore themes associated with death, decay, and the malaise of late-stage capitalism. Tam's artistic practice can be likened to found poetry or cento, in which he arranges groupings of pre-existing objects and linguistic fragments, often sourced from online platforms, to construct condensed spatial narratives. These fugitive arrangements, which are sensitive to their surroundings and often improvised, repurpose the decontextualized material of semiocapitalism in order to conduct an excavation of communal affect. Tam's work operates within the slippery realm of internet culture, which is characterised by a fusion of irony, hyperbole, and half-truths. A notable example of Tam's approach is his work 78i78 (2022), which features a bedraggled L-shaped blanket lying on the floor serving as a metaphor for the dramatised emotional wallowing often associated with contemporary culture. ...

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