Herald St
Location
London2 Herald St, London E2 6JT - United Kingdom
London43 Museum St, London WC1A 1LY - United Kingdom
About
Herald St was established in 2005 by Ash L’ange and Nicky Verber. With two spaces across London, Herald St represents twenty-five international artists and participates in multiple art fairs including Art Basel, Frieze London, and Frieze Los Angeles amongst others. Works by Herald St artists are held in many museum collections and are regularly included in exhibitions within public institutions.
Herald St: Artists
Herald St: Artworks
Amalia Pica
Catachresis #66 (Heel of the club, back of the chair, teeth of the fork, toungues of the shoes), 2016
50 x 90 x 90cm
Amalia Pica
Catachresis #74 (Teeth of the rake, elbow of the pipe, neck of the bottle), 2016
21 x 10 x 39cm
Amalia Pica
Catachresis on Paper #36 (Arms of the Sofa, Heart of the Artichoke, Face of the Crystal, Foot of the Bed, Back of the Chair, Teeth of the Fork), 2022
35 x 28 x 2.8cm
Amalia Pica
Catachresis on Paper #35 (Heart of the Artichoke, Face of the Crystal, Boca de Jarro, Face of The Moon, Tongue of the Shoe, Heads or Tails), 2022
35 x 28 x 2.8cm
Amalia Pica
Catachresis on Paper #37 (Leg of the Table, Face of the Watch, Arms of the Spectacles, Face of the Crystal, Boca de Jarro, Neck of the Bottle, Tongue of the Shoe), 2022
35 x 28 x 2.8cm
Amalia Pica
Catachresis on Paper #34 (Face of the Mirror, Arms of the Sofa, Face of the Crystal), 2022
35 x 28 x 2.8cm
Amalia Pica
Catachresis on Paper #33 (Boca de Jarro, Face of the Mirror, Foot of the Bed, Face of the Crystal, Heels of the Shoe), 2022
35 x 28 x 2.8cm
Amalia Pica
Quasi Catachresis #5 (Legs of the Table, Teeth of the Saw, Back of the Chair, Tongue of the Shoe), 2022
287 x 40 x 94cm
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Cole Lu 呂咅彧
What spilled in the dream ran under the limestone cave. Bending over, he translated his nights and days; the eye of the cave is a needle for those who refuse to forget. (Amnesia), 2024
76.2 x 101cm
Cole Lu 呂咅彧
He woke up in the same position with the little machine in his palm. His mother pointed at the different parts, explaining their functions. The rods were called hands and chased around the clockface in step with time. The little boy nodded, knowing, for his kind, time was an aberrant thing, a human thing. It didn't belong here. (Sleep), 2024
91.4 x 61cm
Cole Lu 呂咅彧
The clock in the brick house kept ticking the time away, chipping off bits by bits. Tonight, but every night, time stands still. Raindrops hang static above the roof. The bell of the clock tower floats mid-swing. Orthos raises his muzzles in silent howls. The aromas of tangerines, mangoes, saffron, and cardamom suspend in space. (Map), 2024
27.9 x 35.6cm
Cole Lu 呂咅彧
We watched the sky, waiting for another star; there was a necklace of fire the night he left. Blinded by the forest, he could only see the trees. (Boat), 2024
27.9 x 35.6cm
Cole Lu 呂咅彧
Inside him now the landscape is empty with everything, his hair waves between summer and autumn, silent through the woods. (Amnesia), 2024
87.6 x 50.8 x 7.6cm
Cole Lu 呂咅彧
The first time someone sent him to the drawing room — tick tock, tick tock — he fell in love with this back-and-forth movement. Later, he learned it was called the withdrawing room; tongue gives the mind a thunder strike, his pulse racing as horses galloping home. (Withdrawing room), 2024
61 x 45.7 x 3.8cm
Cole Lu 呂咅彧
At the border, when his mother describes the nature of love, all they heard was the sound "bar bar bar.” (The Black Sun), 2022
10.2 x 15.2 x 0.6cm
Cole Lu 呂咅彧
Travel. Its ancient root tripalium is an instrument of discipline with three stakes. Some said it reflects a journey's extreme difficulty, and some move where the stakes rolls. Upon his arrival, the island is shard with glares, trees everywhere. (Gate), 2022
40.6 x 33 x 3.8cm
Cole Lu 呂咅彧
Eventually, they fell into a restless sleep, slept and did not sleep, dreamt and did not dream. (First migration), 2024
40.6 x 50.8 x 3.8cm
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