Untitled

Adriano Amaral

Untitled, 201864 x 40 x 20cmPrice on Request
Details
MaterialGalleryLocation
acrylic tubes, prosthetics rubber, electric cables, roots, reflective glass beads, aluminum powderMartins&MonteroBrussels
Description
Human-crafted. AI-refined.

The artwork features a transparent glass structure with a distinct curved shape, reminiscent of a bending branch or root. The black, organic-looking element that emerges from the glass creates a striking visual contrast, suggesting a connection between the natural and the artificial. The overall composition emphasizes the interplay of light, material, and form, inviting the viewer to contemplate the relationships between the natural and the man-made. The artist's intention may be to explore themes of growth, transformation, or the delicate balance between the organic and the synthetic in contemporary society. ...

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Artist
Adriano Amaral
1982 , Brazilian

Adriano Amaral's work involves an examination of the nature of things in the world; the materiality and substance of what is around us as well as its value and transforming power over time. His practice starts from an intuitive and plural approach, and results in complex immersive installations that are always sensitive to the context in which they are inserted.

Adriano Amaral: Artworks
Untitled
Adriano AmaralUntitled, 2020Price on Request
Untitled
Adriano AmaralUntitled, 2021Price on Request
Untitled
Adriano AmaralUntitled, 2018Price on Request
Untitled
Adriano AmaralUntitled, 2018Price on Request
Untitled
Adriano AmaralUntitled, 2020Price on Request
Untitled
Adriano AmaralUntitled, 2020Price on Request
Untitled
Adriano AmaralUntitled, 2020Price on Request
Untitled
Adriano AmaralUntitled, 2020Price on Request
Untitled
Adriano AmaralUntitled, 2021Price on Request
Untitled
Adriano AmaralUntitled, 2021Price on Request
Untitled
Adriano AmaralUntitled, 202012000 EUR
Untitled
Adriano AmaralUntitled, 20186000 EUR
Untitled, from the serie Pinturas Protéticas
Adriano AmaralUntitled, from the serie Pinturas Protéticas, 2022Price on Request
Untitled, from the serie Pinturas Protéticas
Adriano AmaralUntitled, from the serie Pinturas Protéticas, 2022Price on Request
Untitled, from the serie Pinturas Protéticas
Adriano AmaralUntitled, from the serie Pinturas Protéticas, 2022Price on Request
Untitled
Adriano AmaralUntitled, 2016Price on Request
Untitled
Adriano AmaralUntitled, 2018Price on Request
UNTITLED (PROSTHETIC PAINTING SERIES)
Adriano AmaralUNTITLED (PROSTHETIC PAINTING SERIES), 2023Price on Request
UNTITLED (PROSTHETIC PAINTING SERIES)
Adriano AmaralUNTITLED (PROSTHETIC PAINTING SERIES), 2023Price on Request
LEBRE VIVA, LEBRE MORTA (PROSTHETIC PAINTING SERIES)
Adriano AmaralLEBRE VIVA, LEBRE MORTA (PROSTHETIC PAINTING SERIES), 2023Price on Request
OWL (PROSTHETIC PAINTING SERIES)
Adriano AmaralOWL (PROSTHETIC PAINTING SERIES), 2023Price on Request
Ciranda (Prosthetic painting series)
Adriano AmaralCiranda (Prosthetic painting series), 2023Price on Request
UNTITLED (PROSTHETIC PAINTING SERIES)
Adriano AmaralUNTITLED (PROSTHETIC PAINTING SERIES), 2023Price on Request
Untitled (Wasp Nest series)
Adriano AmaralUntitled (Wasp Nest series), 2023Price on Request
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...