Details
MaterialGallery
print on paper, wood and spacking pasteMartins&Montero
Description
Human-crafted. AI-refined.

This minimalist artwork features a simple, white abstract composition with subtle variations in texture and shading. The overall impression is one of serene, understated elegance, created through the artist's adept use of rectilinear forms and monochromatic tones. The work exemplifies the essence of contemporary abstract art, where the focus is on exploring the inherent qualities of materials and the transformative power of negative space. This piece invites the viewer to contemplate the beauty found in the purity of form and the evocative interplay of light and shadow. ...

Similar Artworks
Le Gros Chat
Nils Alix-Tabeling
Le Gros Chat, 2023
124 x 143 x 5cm
FALLING CARYATID #1
Benjamin Renoux
FALLING CARYATID #1, 2017
125 x 84 x 121cm
Oak
Nervous Systems II
Nils Alix-Tabeling
Nervous Systems II, 2022
34 x 28cm
Atem, Lehm #1
Daiga Grantina
Atem, Lehm #1, 2021
178 x 94 x 11cm
Le Confident des Lunes
Nils Alix-Tabeling
Le Confident des Lunes, 2018
130 x 65 x 50cm
Rose
La déesse de Montbouy
Nils Alix-Tabeling
La déesse de Montbouy, 2024
290 x 240 x 75cm
FALLING CARYATID #2
Benjamin Renoux
FALLING CARYATID #2, 2017
170 x 90 x 121cm
Hibiscus
Dala Nasser
Hibiscus, 2022
220 x 234cm
Spartan Impression (Torso)
Young Joon Kwak
Spartan Impression (Torso), 2021
149.86 x 107.32cm
Estructura espacial indisociable
Daniel De Paula
Estructura espacial indisociable, 2023
39 x 50 x 38cm
Poppy
Dala Nasser
Poppy, 2022
260 x 260cm
Le poids du monde 37
Etel Adnan
Le poids du monde 37, 2019
33 x 24cm
SELF-PORTRAIT (Valentin) #1
Benjamin Renoux
SELF-PORTRAIT (Valentin) #1, 2016
212 x 130cm
Miroir Source: earrings
Nils Alix-Tabeling
Miroir Source: earrings, 2024
114 x 95 x 14cm
Sans titre
Morgan Courtois
Sans titre, 2021
47.5 x 16.8 x 4cm
Spartan Impression (Arm and Leg)
Young Joon Kwak
Spartan Impression (Arm and Leg), 2021
217.17 x 77.47cm
With what eyes #13
Rodrigo Hernández
With what eyes #13, 2023
40.5 x 50 x 2cm
Bridge
Charbel-Joseph H. Boutros
Artist
Charbel-Joseph H. Boutros
B.1981, Lebanese

In Charbel-joseph H. Boutros' work invisibility is charged with intimate, geographical and historical layers, finding poetic lines that extend beyond the realm of existing speculations and realities. Being born in the middle of the Lebanese war, his art is not engaged in an explicit political and historical reflection, but is more accurately haunted by the said political and historical reflection.

Charbel-Joseph H. Boutros: Artworks
Vanitas vanitatum omnia vanitas
Charbel-Joseph H. Boutros
Vanitas vanitatum omnia vanitas, 2012
3 x 20cm
No light in white light
But even dead can dance #2
Charbel-Joseph H. Boutros
But even dead can dance #2, 2011
13 x 11cm
Lovers
Night Cartography #3
Charbel-Joseph H. Boutros
Night Cartography #3, 2019
38 x 9.5 x 6cm
No Light In White Light / Night Cartography, Night of the 14/04/2015
Charbel-Joseph H. Boutros
No Light In White Light / Night Cartography, Night of the 14/04/2015, 2015
50 x 70cm
Boutros The Last Week of 2020
Charbel-Joseph H. Boutros
Boutros The Last Week of 2020, 2020
36 x 25cm
I stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and my right tear in the Mediterranean sea
Charbel-Joseph H. Boutros
I stood in the middle of the strait of Gibraltar and dropped my left tear in the Atlantic Ocean and my right tear in the Mediterranean sea , 2016
40 x 116 x 115cm
THE MOST MAGICAL LINE IN VERMEERS PAINTING
Charbel-Joseph H. Boutros
THE MOST MAGICAL LINE IN VERMEERS PAINTING, 2023
Untitled Until Now
Charbel-Joseph H. Boutros
Untitled Until Now, 2023
9 x 17 x 1cm
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...

Unlock Price & Inquiry Access