Icon for the Sower

Alexandru Chira

Icon for the Sower, 2002108 x 67cmSign in to view price
Details
MaterialGallery
oil, pencil and cornflour on canvasFitzpatrick Gallery
Description
Human-crafted. AI-refined.

The artwork features a striking geometric composition with a predominant use of muted purple and grey tones. At the center, a large cross-like symbol is surrounded by various symbolic elements, including a thermometer, a feather, and a crescent moon. The overall arrangement suggests a spiritually-inspired, dreamlike quality, with a sense of mysticism and introspection. The artist's distinctive style blends figurative and abstract elements, creating a visually intriguing and thought-provoking work that invites the viewer to ponder its deeper meaning and the artist's intended message. ...

Similar Artworks
Spotless
Amber AndrewsSpotless, 2024
80 x 50 x 21cm
Triumph der Dauer 2
Swamp IV
Denis SavarySwamp IV, 2018
45 x 101 x 41cm
Two Of Cups
Isabella MelladoTwo Of Cups, 2023
45.72 x 60.96cm
The Look of Love
Djordje OzboltThe Look of Love, 2025
59.9 x 50 x 1cm
Frontero
Fabián GuerreroFrontero, 2023
91.4 x 61cm
Feels Like Mercury
Girl with Alphabets & Numbers
A. RamachandranGirl with Alphabets & Numbers, 2012
149.86 x 33.02 x 33.02cm
Alexandru Chira
Artist
Alexandru Chira
B.1947, Romanian/Omani

Alexandru Chira was a deeply symbolic, multi‑dimensional artist whose practice bridged material, place, and imagination. Often referring to himself as a “master of utopia,” he worked across painting, drawing, installation, land art, film, theoretical texts, and essays to construct a personal cosmos of images, words, and emotional resonance. His art was defined by a complex iconography: geometric “gear‑poems,” mandala-like structures, and allegorical machinery that merged rural life, cosmic ritual, and spiritual invocation. Rooted in the experience of his native village Tăuşeni—including the memory of a decade‑long drought—his work embodied a belief in art as a transformative system, blending functionality, ritual, and poetic intent. His visual language featured abstracted symbols‑objects that echoed both religious myth and agricultural machinery, reflecting his ongoing interrogation of communication, transcendence, and the interaction between the terrestrial and the spiritual. Chira approached art as a holistic, autopoietic system—speaking across intellectual, emotional, tactile, and ritualistic domains—creating a territory where abstraction became encoded experience. ...

Alexandru Chira: Artworks
Study XVI
Alexandru ChiraStudy XVI, 1984
87 x 56 x 2cm
Untitled
Alexandru ChiraUntitled, 1992
96 x 68 x 3cm
Untitled
Alexandru ChiraUntitled, 2000
196 x 122cm
Untitled
Alexandru ChiraUntitled, 2002
67.5 x 53 x 3cm
Untitled
Alexandru ChiraUntitled, 2000
67.5 x 53 x 3cm
Madonna with Shuttle - Study IV
Untitled
Alexandru ChiraUntitled, 1990
101.5 x 72 x 3cm
Untitled
Alexandru ChiraUntitled, 1990
95.7 x 66 x 3cm
De-semn / De-Sign
Alexandru ChiraDe-semn / De-Sign, 1993
52 x 37.2 x 3cm
Untitled
Alexandru ChiraUntitled, 1990
41 x 31cm
Fondant Madonna
The Dinner
Untitled
Alexandru ChiraUntitled, 1973
33 x 20cm
Icon for the Sower
Untitled
Alexandru ChiraUntitled, 1980
59 x 49cm
Untitled
Alexandru ChiraUntitled, 1993
80 x 79 x 2cm
Fitzpatrick Gallery

Established in 2020, Fitzpatrick Gallery is focused on an international program of curated projects in site-specific venues worldwide, and on-site exhibitions at their primary location in Paris, inaugurated in September 2021 in the Marais gallery district at 123 rue de Turenne. They are involved in every level of production with their represented artists, working in close collaboration with institutions, publishing houses, advisory firms, and other partners. Fitzpatrick Gallery builds on the legacy of Freedman Fitzpatrick which was established in 2013 with locations in Los Angeles and Paris. ...