This abstract painting features a vibrant and dynamic composition of bold colors, expressive brushstrokes, and amorphous shapes. The canvas is filled with a chaotic interplay of reds, browns, whites, and touches of blue, creating a sense of movement and energy. The overall visual elements suggest an organic, almost primordial quality, evoking a sense of raw, primal expression. The artist's unique style and technical approach, marked by a gestural and spontaneous application of paint, reflects a contemporary artistic vision that challenges traditional notions of representation. This work invites the viewer to engage with its emotive and evocative nature, hinting at the artist's intention to capture the essence of the human experience through an abstract visual language. ...
Anastasia Pavlou's practice incorporates painting, photography and drawing to address the moment where visual perception occurs, emphasising the significance of space and context in shaping the experience of seeing.
Pavlou’s abstract painting explores the inherent potential of the flat surface while delving into the relationship between two-dimensionality and the volumetric presence of canvases in space. Engaging with textures and nuances, from fast to slow, heavy to light, and transparent to opaque, the resulting artworks focus on the materiality of an expansive pictorial space. Her photographic ensembles highlight the meticulous, however somehow accidental, organisation of images, matter and surfaces which is at the chore of a production continuously probing how one can decipher the present through the remnants of everyday life, through the nearby and the mundane.
Anastasia Pavlou was born in 1993 in Athens, Greece and lives and works between Basel, Switzerland and Athens, Greece. Her works have been exhibited at the Kunstmuseum, Appenzell, CH; at Harmony 100, Basel, CH; at Kunsthaus Baselland, Basel, CH; at Hot Wheels, London, UK and Athens, GR; at Kunsthalle Basel, Basel, CH; at the Benaki Museum, Athens, GR, among others. ...
Balice Hertling was founded in 2007 by Daniele Balice and Alexander Hertling. Balice Hertling has hosted the debut solo shows of many artists like Camille Blatrix, Xinyi Cheng and Isabelle Cornaro—all of whom have gone on to earn widespread recognition. From 2012 to 2016, gallery founders Daniele Balice and Alexander Hertling operated a project space in Manhattan. Returning to France in 2017, they relocated the main gallery to Paris’ Marais district and transformed the former Belleville location into a space for curated projects and shows by younger artists. Indeed, many artists represented by the gallery exemplify unique subcommunities of the emergent art world. This breadth of representation also translates to a breadth of medium, as the gallery represents painters as well as artists working in mixed media such as film, performance and sculptural objects. The gallery also represents artists whose careers are more established : British conceptual artist Stephen Willats, Syrian-born painter and sculptor Simone Fattal, and Italian artist Enzo Cucchi. In its programming and practices, Balice Hertling constantly works toward creating a more diverse and equitable art landscape. In this spirit, the gallery is proud to represent the Estate of Behjat Sadr, who was the first woman artist to be recognized as a modern master in Iran. As a result of the pandemic, the gallery co-founded « Palai » in the summer of 2021, a yearly exhibition hosting a small group of galleries from around the world, in historic locations in Lecce, a city in Italy's Puglia region. Palai is neither a curated exhibition nor a fair, it is thought to be a version of a residency, a collegial collaboration, where artists, galleries, and friends of the art world come together. In 2021 Balice Hertling relocated and brought closer both spaces in the Marais with a new main space inaugurated by a Ser Serpas scultpure solo show, and a new showroom and project space on rue de Montmorency. ...
