The artwork showcases a striking and monumental black ceramic vessel with a distinctive architectural form. The visual elements feature a minimalist design, with a cylindrical shape and intriguing protrusions that resemble tentacles or organic appendages. The overall composition is balanced and symmetrical, emphasizing the sculptural quality of the piece. The artist has employed a matte, charcoal-like glaze, creating a somber and mysterious tone. The subject matter suggests a hybrid between a utilitarian object and a surreal, biomorphic sculpture. The artwork's style and technique reflect a contemporary, avant-garde approach, challenging the traditional boundaries of ceramic art. The context suggests the artist's intention to explore the intersection between function and abstraction, evoking a sense of the uncanny and the unknown. ...
Galerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...
