The artwork features a vibrant yellow-orange background with two white, mushroom-like forms emerging from the center. The overall composition is simple yet striking, with the distinct shapes standing out against the muted, earthy tones below. The artist appears to have employed an abstract, minimalist style, focusing on the interplay of colors, shapes, and negative space to create a sense of tranquility and introspection. This piece may be exploring themes of growth, transformation, or the duality of the natural and supernatural worlds, inviting the viewer to ponder the deeper meaning behind the seemingly simple imagery. ...
Born in 1959 in Mumbai, Atul Dodiya trained at the Sir J.J. School of Art, 1982, and École des Beaux-Arts, Paris, 1991–92, and is widely considered one of India’s most significant artists.
Founded in 1987, Vadehra Art Gallery is a pioneer of South Asian art, representing artists across four generations from the Indian Subcontinent and its diaspora, helping to shape it as a celebration of culture, identity and intellect. As a confidante to art history and a champion of contemporary creativity, the gallery nurtures a dynamic and flourishing ecosystem where the artist and their work take centre stage, promoting a legacy of artistic expression that resonates with global audiences.
The gallery is recognized for its early support of modern masters such as M.F. Husain, Ram Kumar, S.H. Raza, and Tyeb Mehta, alongside subsequent generations of post-modernists like Arpita Singh, A. Ramachandran, Nalini Malani, Gulammohammed Sheikh, and Rameshwar Broota. Its expansive contemporary programme emphasizes influential names such as Atul Dodiya, Shilpa Gupta, Anju Dodiya, N.S. Harsha, Gauri Gill and Sunil Gupta, as well as emerging talent like Zaam Arif, Biraaj Dodiya and Ashfika Rahman. ...
