Shimano GRX 11 Direct Mount Shadow and Tin-Jupiter

Botond Keresztesi

Shimano GRX 11 Direct Mount Shadow and Tin-Jupiter, 2024219 x 144.5cmSign in to view price
Details
Material
oil and acrylic on canvas, framed
Description
Human-crafted. AI-refined.

The artwork features the bold word "DOCENT" rendered in a plain, text-based style against a stark, monochromatic background. The visual composition emphasizes the minimalist aesthetic, with the large letters dominating the frame and creating a striking, eye-catching image. The subject matter appears to be a conceptual exploration of the role of the docent, or museum guide, in the art world. The artist's intention may be to draw attention to the significance of this important figure in shaping the public's understanding and appreciation of contemporary art. ...

Similar Artworks
Raining Down On
Untitled
Cécile LempertUntitled, 2023
110 x 190cm
Tom
Bex MasseyTom, 2024
115 x 80cm
Silhouette 3
Talita ZaragozaSilhouette 3, 2024
76.2 x 182.88cm
Silence!
Tarek LakhrissiSilence!, 2024
42 x 29cm
Swamp IV
Denis SavarySwamp IV, 2018
45 x 101 x 41cm
Against all odds
Shimano Deore Rd-t610-SGS and Copper-Venus
Artist
Botond Keresztesi
B.1987, Romanian

Botond Keresztesi’s art centers on a vibrant recombination of painting, drawing, and site-specific installation to craft surreal, fragmented dreamscapes. He layers references from art history, pop culture, digital imagery, and everyday visuals—like rave flyers or stock photos—into hallucinatory landscapes that collapse time, styles, and symbols. His technique blends airbrush and traditional brushwork, creating richly textured canvases that resonate with both nostalgia and vibrant futurism. Keresztesi's works evoke "technosecession hybrids," where Art Nouveau curves merge with cybernetic forms—transformers, bionic limbs, antique sculpture—dissolving boundaries between past, present, and speculative future. Through this chaotic yet democratic imagery, he constructs painterly “flea markets,” where Hieronymus Bosch collides with smartphones, lava lamps, and mythic creatures—all existing without hierarchy. His recent series featuring symbolic “gatekeeper” figures map cardinal directions—east, west, north, south—suggesting mystical guides through unknown physical and conceptual landscapes. Keresztesi’s work embodies a post-digital visual language that challenges conventional narrative and identity by dissolving hierarchies, blending analog and digital motifs, and imagining new transitional spaces where reality, memory, and the dreamlike converge. ...

Botond Keresztesi: Artworks