Wet Feet (Lost Boats - Detail: Flag fig.2)

Bouchra Khalili

Wet Feet (Lost Boats - Detail: Flag fig.2), 201280 x 100cmSign in to view price
Details
MaterialGallery
c-print on papermor charpentier
Description
Human-crafted. AI-refined.

The artwork depicts the word "DOCENT" in large, stylized gray letters against a plain white background. The composition is simple and minimalist, with the focus solely on the text. The use of a single, neutral color and the lack of any other visual elements create a clean, bold, and impactful aesthetic. The artwork likely aims to challenge the viewer's perception of language and its role in art, inviting contemplation on the meaning and significance of the term "docent" within the context of art education and curation. ...

Similar Artworks
Unknown #17
Mohamed Bourouissa
Unknown #17, 2014
39 x 30cm
Dancing Sunlight
Jimmie Durham
Dancing Sunlight, 2021
89 x 54 x 25cm
Green and Brass
Jimmie Durham
Green and Brass, 2020
51 x 12 x 7cm
Repaired Broken Mirror
Kader Attia
Repaired Broken Mirror, 2025
57 x 38.5cm
Sisters Be Strong
Andrea Bowers
Sisters Be Strong, 2013
156 x 275 x 5cm
Sun Set Down
Latifa Echakhch
Sun Set Down, 2022
200 x 150 x 5cm
Minerals
The Great Pretender
Alex Da Corte
The Great Pretender, 2021
186.1 x 186.1 x 7.6cm
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo
Zineb Sedira
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 2021
84 x 57cm
Reenactment II
Kader Attia
Reenactment II, 2025
20 x 20 x 44cm
Business
Alexandre Singh
Business, 2013
41.6 x 57.2cm
Unknown #13
Mohamed Bourouissa
Unknown #13, 2014
39 x 30cm
Mini Flowers A
Neil Beloufa
Mini Flowers A , 2022
40 x 48 x 8cm
Bouchra Khalili
Artist
Bouchra Khalili
B.1975, French/Moroccan

Encompassing film, video, installation, photography, printmaking, and publishing, Khalili’s practice explores imperial and colonial continuums as epitomized by contemporary forced illegal migrations and the politics of memory of anti-colonial struggles and international solidarity. Deeply informed by the legacy of post-independence avant-gardes and the vernacular traditions of her native Morocco, Khalili’s approach develops strategies of storytelling at the intersection of history and micro-narratives. Combining documentary and conceptual practices, she investigates questions of self-representation, autonomous agency, and forms of resistance of communities rendered invisible by the nation-state model. ...

Bouchra Khalili: Artworks
Foreign Office
Bouchra Khalili
Foreign Office, 2015
80 x 100cm
The Constellations
Bouchra Khalili
The Constellations, 2011
60 x 40cm
The Typographer
Wet Feet Series, Lost Boats. Fig. 5
Bouchra Khalili
Wet Feet Series, Lost Boats. Fig. 5 , 2012
120 x 100cm
Wet Feet Series, Broken Container, Fig. 10
Bouchra Khalili
Wet Feet Series, Broken Container, Fig. 10 , 2012
80 x 60cm
The Archipelago : The Nordic Chapter
Bouchra Khalili
The Archipelago : The Nordic Chapter, 2020
80 x 60cm
Sea as Sky
Bouchra Khalili
Sea as Sky, 2018
80 x 60cm
Wet Feet (Lost Boats fig.2)
Bouchra Khalili
Wet Feet (Lost Boats fig.2), 2012
80 x 70cm
Wet Feet (Lost Boats fig.8)
Bouchra Khalili
Wet Feet (Lost Boats fig.8), 2012
90 x 72cm
Wet Feet (Lost Boats - Detail: Flag fig.2)
Bouchra Khalili
Wet Feet (Lost Boats - Detail: Flag fig.2), 2012
80 x 100cm
mor charpentier
Gallery
mor charpentier
Paris, Bogotá

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...

Unlock Price & Inquiry Access