Coevolution by Traumatic Insemination: Bedbug

Candice Lin

Coevolution by Traumatic Insemination: Bedbug, 2015148.59 x 91.44 x 4.44cmSign in to view price
Details
MaterialGallery
stainless steel, kangaroo lace leatherInstituto de Visión
Description
Human-crafted. AI-refined.

This minimalist sculpture features a simple metal rod with tattered black strings or threads dangling from it, creating a sense of fragility and impermanence. The overall composition is stark and monochromatic, emphasizing the interplay between the rigid metallic structure and the delicate, ephemeral textile elements. The work appears to explore themes of decay, transience, and the contrast between the natural and the man-made. The artist's intention may be to evoke a meditative or emotive response from the viewer, prompting reflections on the cycles of life and the fragility of existence. ...

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Candice Lin
Artist
Candice Lin
B.1979, American

Candice Lin works among multidisciplinary media, such as sculpture and video, which explores complex themes of cultural, gender, and racial disparities, uncontrolled sexualities, and non-normative behavior. Her work critiques the permeable nature of delineations, employing transformative materials to highlight the fluidity of boundaries: a sculptural tableau of a tar-coated cornfield seamlessly transitioning into a hirsute, black pig, digital reinterpretations of Mapplethorpe’s Black Book nudes metamorphosed into Martian geological forms, and a life-sized cockroach with an iridescent, spaceship-like shell punctuated with silicone vaginas, oozing suggestively. Lin's work orbits the themes of the fluidity and malleability of the boundaries between the self and the other. It further scrutinizes how Western ideologies of self-identity exert influence on power dynamics inherent within conceptions of individualism, selfhood, liberty, and differentiation. Through her exploration of marginalized histories and the legacies of colonialism, along with the materials that bridge them, her work threads together disparate narratives of migration, biological warfare, and the colonial relationships of Britain and America with China. ...

Candice Lin: Artworks
Seeping, Rotting, Resting, Weeping
Candice Lin
Seeping, Rotting, Resting, Weeping, 2021
Minoritarian Medicine
Candice Lin
Minoritarian Medicine, 2020
65 x 61 x 15.9cm
Chinatown, Honolulu
Candice Lin
Chinatown, Honolulu, 1900
45.72 x 60.96cm
Sorting the Rats
Candice Lin
Sorting the Rats, 2020
45.72 x 60.96cm
Witness (Blue Version)
Candice Lin
Witness (Blue Version), 2019
195.58 x 60.96 x 40.64cm
Witness (Yellow Version)
Candice Lin
Witness (Yellow Version), 2019
172.72 x 71.12 x 40.64cm
Saccharum officinarum
Candice Lin
Saccharum officinarum, 2018
29.84 x 23.5cm
Fouquieria splendens
Candice Lin
Fouquieria splendens, 2018
33.02 x 26.67 x 3.81cm
Coevolution by Traumatic Insemination: Bedbug
Candice Lin
Coevolution by Traumatic Insemination: Bedbug, 2015
148.59 x 91.44 x 4.44cm
Seated Seer (Censer)
Candice Lin
Seated Seer (Censer), 2020
35.56 x 17.78 x 17.78cm
Future Sarcophagus
Candice Lin
Future Sarcophagus, 2020
128.9 x 182.88 x 90.8cm
System for a Stain
Candice Lin
System for a Stain, 2016
The Worm Husband (Our Father)
Candice Lin
The Worm Husband (Our Father), 2016
61 x 31 x 150cm
The Tea Table
Candice Lin
The Tea Table, 2016
74 x 63cm
A Warner for Survivalists: White Gold
Candice Lin
A Warner for Survivalists: White Gold, 2016
45 x 45 x 160cm
The Roots of Industry
Candice Lin
The Roots of Industry, 2016
62 x 75cm
Physiologus
Candice Lin
Physiologus, 2016
17 x 16 x 4.5cm
Lithium Time Clock
Candice Lin
Lithium Time Clock, 2023
20.5 x 20.5 x 2.5cm
"Coolie capers to honor Chinese Bandits are performed by L.S.U. coeds at half time at game against R...
Candice Lin
"Coolie capers to honor Chinese Bandits are performed by L.S.U. coeds at half time at game against Rice", Life Magazine, 1959, 2021
60.96 x 91.44cm
Gonads Vessel (Striped Cat Demon)
Candice Lin
Gonads Vessel (Striped Cat Demon), 2020
24.13 x 11.43 x 19.05cm
A Robot Spoke What My Father Wrote
Candice Lin
A Robot Spoke What My Father Wrote, 2019
243.84 x 914.4 x 152.4cm
Despacho for Chinese Coolie Laborers
Candice Lin
Despacho for Chinese Coolie Laborers, 2018
30.48 x 101.6 x 25.4cm
Clairvoyant Testosterone
Candice Lin
Clairvoyant Testosterone, 2016
12.7 x 7.62 x 5.08cm
Animal Within the Animal
Candice Lin
Animal Within the Animal, 2015
83.82 x 65.4 x 6.98cm
The Roots of Industry
Candice Lin
The Roots of Industry, 2016
62 x 75cm
The Tea Table
Candice Lin
The Tea Table, 2016
62 x 75cm
Castration Is Still Possible
Candice Lin
Castration Is Still Possible, 2023
106.7 x 92.7 x 10.2cm
Ball Juice
Candice Lin
Ball Juice, 2023
106.7 x 92.7 x 10.2cm
Everything You Want to Eat
Candice Lin
Everything You Want to Eat, 2023
106.7 x 92.7 x 10.2cm
Anal Fog
Candice Lin
Anal Fog, 2023
48.3 x 40.6 x 5.1cm
Campfire Castration
Candice Lin
Campfire Castration, 2023
48.3 x 40.6 x 5.1cm
Frog flask
Candice Lin
Frog flask, 2024
15 x 10 x 6.5cm
Two buddies
Candice Lin
Two buddies, 2024
9.5 x 19 x 9.5cm
Cat-demon bell
Candice Lin
Cat-demon bell, 2024
20.5 x 11 x 8.5cm
Cat-dog demon
Candice Lin
Cat-dog demon, 2024
26.7 x 16.5 x 20.3cm
Toad flask
Candice Lin
Toad flask, 2024
12.5 x 8.5 x 4.5cm
Country life
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Country life, 2024
9.5 x 14.5 x 10cm
Sleepless
Candice Lin
Sleepless, 2024
11 x 14 x 7.5cm
Bondage trophy (submission)
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Bondage trophy (submission), 2024
16.5 x 7.6 x 5.7cm
Transition Demon
Candice Lin
Transition Demon, 2023
45.5 x 28.5 x 26.5cm
Pretty prancers, led by dancing mascot tiger strut proudly," Life Magazine,
Candice Lin
Pretty prancers, led by dancing mascot tiger strut proudly," Life Magazine,, 1959
61 x 91.5cm
Xternesta (Memory)
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Xternesta (Memory), 2022
152 x 79 x 90cm
Untitled
Candice Lin
Untitled, 2022
130 x 88.5cm
Chaos Demon
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Chaos Demon, 2025
55 x 45.5cm
Untitled
Candice Lin
Untitled, 2025
55 x 45.5cm
Instituto de Visión
Gallery
Instituto de Visión
Bogotá, New York City

Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...

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