Yaxchilán Lintel 25 (feathered serpent)

Clarissa Tossin

Yaxchilán Lintel 25 (feathered serpent), 2017Sign in to view price
Details
MaterialGallery
silicone, walnut, faux serpent skin, synthetic hair, quetzal faux feather (dyed rooster feather)Commonwealth and Council
Description
Human-crafted. AI-refined.

This minimalist contemporary artwork features a simple composition with a striking visual contrast. The work utilizes natural materials, including wooden poles and a winding organic element, likely a plant stem or root, that extends across the wooden floor. The overall design evokes a sense of tension and movement, with the curved, snake-like form creating a dynamic interplay between the rigid vertical supports and the fluid, undulating line. The artist's intention seems to be exploring the relationship between organic and inorganic elements, as well as the interplay of structure and spontaneity within a spare, understated style. ...

Similar Artworks
Juicy Couture - favela
Entanglement I
Entanglement II
Hum
Hajra WaheedHum, 2020
91.44 x 76.2cm
The Psychic is You
Acting is Believing
On the Road
Genesis BelangerOn the Road, 2019
5.08 x 17.78 x 12.7cm
Queen of the Night
Morena
Carolina CaycedoMorena, 2021
91 x 30 x 30cm
Entanglement IV
Screen Shot R.M
Latifa EchakhchScreen Shot R.M, 2015
173 x 300 x 2cm
Dams will burn/Las represas arderán
Tejido 6/ Tissue 6
Entanglement III
Still life #11
Juliette BlightmanStill life #11, 2016
290 x 290cm
Clarissa Tossin
Artist
Clarissa Tossin
B.1973, Brazilian

Through installation, performance, video, sculpture and photography, Clarissa Tossin creates speculative works that explore questions of displacement, post-apocalypse, globalisation and the failures of modernity. Her upbringing in Brazil’s capital has developed Tossin’s concerns about urban utopia and economic inequality, with the exploration of the cultural and economic exchanges between the US and Brazil becoming the recurring theme in her practice. In her Made in L.A. (2014) work, the artist traced the multilayered connections between Brasília and Los Angeles, the former city being built between 1957 and 1960 as an urbanist promise of economic growth. Contextualised by lengthy research and collaborations with historians, archeologists and scientists, Tossin’s complex works incorporate materials such as Amazonian-native latex, recycled plastic, Amazon cardboard boxes and meteorite powder. Tossin’s practice is an ode to the intertwined afterfacts of geopolitics and colonial legacies amidst the reality of the decaying planet and speculative futures. Written by Goldsmiths CCA ...

Clarissa Tossin: Artworks
Commonwealth and Council
Gallery
Commonwealth and Council
Los Angeles, Mexico City

Commonwealth and Council is a gallery in Koreatown, Los Angeles founded in 2010. Our program is rooted in our commitment to explore how a community of artists can sustain our co-existence through generosity and hospitality. Commonwealth and Council celebrates our manifold identities and experiences through the shared dialogue of art—championing practices by women, queer, POC, and our ally artists to build counter-histories that reflect our individual and collective realities. ...

Unlock Price & Inquiry Access