Bienvenue à la Rose Rouge

Carl-Edouard Keïta

Bienvenue à la Rose Rouge, 2021110 x 107.5cmSign in to view price
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Human-crafted. AI-refined.

The artwork showcases a striking figure centrally positioned, surrounded by various entities in a surreal, abstract composition. The predominant use of monochromatic shades of gray creates a dramatic, high-contrast effect. The central figure appears to be a deity or mythical being, with outstretched limbs and a crown-like adornment on its head. The surrounding entities, depicted in angular, fragmented forms, seem to interact with the central figure in a ritualistic or ceremonial manner. The overall style and technique suggest a blend of cubism and expressionism, hinting at the artist's intention to explore themes of power, spirituality, and the human condition. ...

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Carl-Edouard Keïta

Born in 1992 in Abidjan, Carl-Edouard Keïta now lives and works in New York. A 2021 graduate of the New York Academy of Art, Carl-Edouard Keïta also won the prize for best draughtsman for his graduation work, some of which is presented in this group exhibition. Carl-Edouard Keïta discovered the history of African art during his economics studies in Atlanta, through a course offered at his university. As he describes it himself, this discovery was a real aesthetic revelation for him. Fascinated by lines, straight or curved, since his childhood, he became passionate about drawing, and was inspired by traditional, modern and contemporary references. From the angular forms of African statuary to the geometric decompositions of cubism, via the Ivorian vohou-vohou, Carl-Edouard Keïta’s influences are numerous and create bridges between eras and continents. Initially self-taught, then an art student, Carl-Edouard Keïta perfected his mastery of the pencil over the years, attached to the idea that pencil drawing, behind its apparent simplicity, can become the site of a true search for aesthetic sophistication and conceptual complexity. The sobriety of the pencil is synonymous for the artist with freedom. Keïta’s drawings show a great mastery of composition, each work carrying a story, a narrative. The decomposition of the bodies of the represented figures into several geometrically shaped elements can be understood as being mimetic of a movement of unveiling and deconstruction of the subjects addressed in his works, from the visible to the hidden. ...

Carl-Edouard Keïta: Artworks
Reality Check
Carl-Edouard KeïtaReality Check, 2020
106 x 150cm
Adonis
Carl-Edouard KeïtaAdonis, 2021
114 x 104.5cm
Arlequin
Carl-Edouard KeïtaArlequin, 2021
140 x 180cm
Bienvenue à la Rose Rouge
Black Swan
Carl-Edouard KeïtaBlack Swan, 2021
165 x 114cm
Candide
Carl-Edouard KeïtaCandide, 2022
91 x 61cm
Free at last
Carl-Edouard KeïtaFree at last, 2021
176 x 114cm
Fresh off
Carl-Edouard KeïtaFresh off, 2023
104 x 208cm
Inner Fight
Carl-Edouard KeïtaInner Fight, 2023
68 x 60cm
L'hippodrome
Carl-Edouard KeïtaL'hippodrome, 2023
83.5 x 105cm
Le club
Carl-Edouard KeïtaLe club, 2023
105 x 147cm
Le répit
Carl-Edouard KeïtaLe répit, 2023
120 x 210cm
Les demoiselles or Whatever
Les Enfants Terribles
Les noces de l'Amazone
Madame
Carl-Edouard KeïtaMadame, 2023
146 x 105cm
Melka Soudani
Carl-Edouard KeïtaMelka Soudani, 2021
114.5 x 101.5cm
Mon beau pigeon
Carl-Edouard KeïtaMon beau pigeon, 2023
59 x 103cm
Peridurale
Carl-Edouard KeïtaPeridurale, 2023
140 x 101.5cm
Plus verte ailleurs
Carl-Edouard KeïtaPlus verte ailleurs, 2022
61 x 51 x 4cm
Random Face 1
Carl-Edouard KeïtaRandom Face 1, 2022
122 x 92cm
Random Face 2
Carl-Edouard KeïtaRandom Face 2, 2022
122 x 92cm
Reality Check
Carl-Edouard KeïtaReality Check, 2020
106 x 150cm
Sans titre
Carl-Edouard KeïtaSans titre, 2023
35.5 x 35.5 x 4cm
Sans titre
Carl-Edouard KeïtaSans titre, 2023
30.5 x 30.5 x 2cm
Sans titre
Carl-Edouard KeïtaSans titre, 2023
69 x 107cm
Scintillement
Carl-Edouard KeïtaScintillement, 2021
240 x 140cm
Self-portrait as Siki
Untitled
Carl-Edouard KeïtaUntitled, 2023
51 x 40.5cm
Free at last
Carl-Edouard KeïtaFree at last, 2021
176 x 114cm
Melka Soudani
Carl-Edouard KeïtaMelka Soudani, 2021
114.5 x 101.5cm
Bienvenue à la Rose Rouge
Adonis
Carl-Edouard KeïtaAdonis, 2021
114 x 104.5cm
Black Swan
Carl-Edouard KeïtaBlack Swan, 2021
165 x 114cm
Arlequin
Carl-Edouard KeïtaArlequin, 2021
140 x 180cm
Scintillement
Carl-Edouard KeïtaScintillement, 2021
240 x 140cm
Les Enfants Terribles
Les demoiselles or Whatever
Le Bal Noir
Carl-Edouard KeïtaLe Bal Noir, 2018
112 x 77cm
The Departure
Carl-Edouard KeïtaThe Departure, 2024
100 x 140 x 4cm
Nur Jahan & Malik
Carl-Edouard KeïtaNur Jahan & Malik, 2024
80 x 160 x 4cm
Nocturnal Parallax
Carl-Edouard KeïtaNocturnal Parallax, 2024
100 x 140 x 4cm
Karima
Carl-Edouard KeïtaKarima, 2024
140 x 90 x 4cm
The Red Hour
Carl-Edouard KeïtaThe Red Hour, 2024
140 x 90.5 x 4cm
The Day After
Carl-Edouard KeïtaThe Day After, 2024
100 x 120 x 4cm
Study of Nur Jahan as Goddess
Habshi
Carl-Edouard KeïtaHabshi, 2024
31 x 23 x 2cm
Vision of Ahmadnagar
Carl-Edouard KeïtaVision of Ahmadnagar, 2024
61 x 45.5 x 4cm
Sunset on Ahmadnagar
Carl-Edouard KeïtaSunset on Ahmadnagar, 2024
60 x 40.5 x 4cm
Galerie Cécile Fakhoury
Gallery
Galerie Cécile Fakhoury
Abidjan, Paris, Dakar

Galerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...

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