Memento Mori

Carlos Motta

Memento Mori, 2019101.6 x 88.9cmSign in to view price
Details
MaterialGallery
pencil on watercolor papermor charpentier
Description
Human-crafted. AI-refined.

The artwork depicts a striking black and white illustration showcasing the juxtaposition of a human face and a skull. The stark contrast between the realistic rendering of the facial features and the underlying skull structure creates a thought-provoking visual representation. The artist employs a high-contrast drawing technique, utilizing intricate cross-hatching and shading to convey the depth and texture of the subject matter. This surreal and unsettling image invites the viewer to contemplate the fragility of human existence and the duality of life and death. ...

Similar Artworks
Somos 11 Millones/We Are 11 Million (in collaboration with Movimiento Cosecha)
Andrea Bowers
Somos 11 Millones/We Are 11 Million (in collaboration with Movimiento Cosecha), 2018
320 x 610 x 180.3cm
Alcebíades
Adriano Costa
Alcebíades, 2024
44 x 42 x 37cm
Worker's Rights Posters (First Version)
Andrea Bowers
Worker's Rights Posters (First Version), 2013
244 x 365cm
Year of The Hurricane
Alex Da Corte
Year of The Hurricane, 2020
292.1 x 322.6 x 15.2cm
The Great Pretender
Alex Da Corte
The Great Pretender, 2021
186.1 x 186.1 x 7.6cm
Heat Index
Andrea Bowers
Heat Index, 2019
203.2 x 182.8 x 6.3cm
A Speculative Portrait
Lawrence Abu Hamdan
A Speculative Portrait, 2020
5.08 x 76.2cm
The Big Little Falls
Alex Da Corte
The Big Little Falls, 2021
182.9 x 182.9 x 16.5cm
The Shadow Series I
Shahzia Sikander
The Shadow Series I, 2021
45 x 36 x 4cm
Make a monkey out of clay
Rirkrit Tiravanija
Make a monkey out of clay, 2011
35.6 x 50.8 x 3.2cm
Feelings of Love (La Causa, Vol 1, No. 3, September )
Andrea Bowers
Feelings of Love (La Causa, Vol 1, No. 3, September ), 1969
187 x 43cm
Early Spring Flower-Paws Stretching Soul Sheet – Mesmerizing Mesh #206
Haegue Yang
Early Spring Flower-Paws Stretching Soul Sheet – Mesmerizing Mesh #206, 2023
92 x 62 x 3.5cm
Infinite Women, Series 1
Shahzia Sikander
Infinite Women, Series 1, 2022
191.8 x 166.4 x 6.3cm
Leaning Tree
Shannon Ebner
Leaning Tree, 2002
86 x 127cm
untitled 2020 (black flag no. 3, new york times, march 8/26 2018)
Rirkrit Tiravanija
untitled 2020 (black flag no. 3, new york times, march 8/26 2018), 2020
222 x 364cm
Chandeliers of Interconnectedness (The world is so beautiful even as it burns; Quote used by permission of Terry Tempest Williams)
Andrea Bowers
Chandeliers of Interconnectedness (The world is so beautiful even as it burns; Quote used by permission of Terry Tempest Williams), 2022
185 x 120 x 100cm
A Good Book or: Stand On The Word or ...
Alex Da Corte
A Good Book or: Stand On The Word or ..., 2020
186 x 186 x 7.5cm
Sympathy for the Martyr
Juliana Huxtable
Sympathy for the Martyr, 2015
101.6 x 76.2cm
The Schoolgirl Projects (22)
Nikki S. Lee
The Schoolgirl Projects (22), 2000
76.2 x 101.6cm
Life in His Mouth, Death Cradles Her Arm
Naufus Ramírez-Figueroa
Life in His Mouth, Death Cradles Her Arm, 2016
Carlos Motta
Artist
Carlos Motta
B.1978, Brazilian

Carlos Motta moves fluidly between photography, drawing, moving image and installation. His multi-media practice records the social and political conditions of ethnic minorities, and how factors such as gender and sexuality intersect with these experiences. Often working with archival material, Motta is keen to share untold narratives and to shift the representation of post-colonial communities. In past projects Motta has examined the social intricacies of the AIDs crisis and undertaken extensive research into US interventionist policies in Latin America. He continues to unpick contemporary social realities in his projects today. His installations frequently combine a wide plethora of mediums, with archival material sitting in conversation with emotionally stirring photography and moving image. The in-depth experience of an individual is consistently prioritised by Motta, offering a deeply personal, emotive counterpoint to data or historical records. Motta also engages with more communal modes of artmaking, such as convening symposiums or durationally developing web-based projects. ...

Carlos Motta: Artworks
Untitled
Carlos Motta
Untitled, 1998
110 x 72cm
Self-Portrait with Death #1
Carlos Motta
Self-Portrait with Death #1, 1996
76.2 x 114.3cm
The Fall of the Damned (Piranhas)
Carlos Motta
The Fall of the Damned (Piranhas), 2022
72 x 100cm
We Who Feel Differently
Carlos Motta
We Who Feel Differently, 2012
44.5 x 50.8cm
Memento Mori
Carlos Motta
Memento Mori, 2019
101.6 x 88.9cm
AIDS IS
Carlos Motta
AIDS IS, 2019
17.8 x 12.7cm
mor charpentier
Gallery
mor charpentier
Paris, Bogotá

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...

Unlock Price & Inquiry Access