Cinéma Caraïbe, La Havane

Cheikh Ndiaye

Cinéma Caraïbe, La Havane, 2020Sign in to view price
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Human-crafted. AI-refined.

The artwork depicts an old, dilapidated building in a vibrant urban setting. The composition features a mix of warm orange-red tones and cool blues, with the crumbling walls and peeling paint creating a textured, weathered appearance. The building's asymmetrical structure and the inclusion of people walking by suggest a sense of dynamic energy and everyday life. The artist's realistic style and attention to detail capture the character and history of this neglected yet visually compelling structure, inviting the viewer to contemplate the evolving nature of the urban landscape. ...

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Cheikh Ndiaye
Artist
Cheikh Ndiaye
B.1970, Senegalese

Cheikh Ndiaye’s work is guided by a singular look given to the informal, which is to him the source of his artistic practice. Retrieved from a lethal state, obsolete objects are brought back to life. The objects return to their material plenitude and are project into a renewed imaginary Cheikh Ndiaye’s world constantly reflects the origin of his research, the street. The painted views create openings and seem to traverse the opaque, dense and imposing exposed concrete wall. The everyday objects echo a tangible and established reality. However, the arrangements seem to veer from diverse spheres towards distant spaces and shifting times. The order of things through visible or concealed forms constantly reinvents itself to its limits. The unity of Cheikh Ndiaye’s work stems from the way he uses matter, recognizing its plurality. He materialises the idea of the porosity of substances, in relationships of alterity or otherness. He interlinks it in his pieces with the notion of deterioration, as if resisting omission. ...

Cheikh Ndiaye: Artworks
Tableau Ferraille 2
Cheikh Ndiaye
Tableau Ferraille 2, 2016
104 x 97cm
Cinéma Caraïbe, La Havane
Cheikh Ndiaye
Cinéma Caraïbe, La Havane, 2020
180 x 180cm
Théâtre Apollo, Détail
Cheikh Ndiaye
Théâtre Apollo, Détail, 2021
173 x 116cm
Sala Avenida, La Havane
Cheikh Ndiaye
Sala Avenida, La Havane, 2020
Apollo Theater, Harlem
Cheikh Ndiaye
Apollo Theater, Harlem, 2015
200 x 200cm
Cinéma ABC, Dakar
Cheikh Ndiaye
Cinéma ABC, Dakar, 2015
198 x 213cm
Cinéma Awa, Pikine
Cheikh Ndiaye
Cinéma Awa, Pikine, 2014
150 x 166cm
Cinéma Bioscope, Troyville, Johanesburg
Cheikh Ndiaye
Cinéma Bioscope, Troyville, Johanesburg, 2015
200 x 215cm
Cinéma Caraïbe, La Havane
Cheikh Ndiaye
Cinéma Caraïbe, La Havane, 2020
Cinéma Le Paris, Dakar
Cheikh Ndiaye
Cinéma Le Paris, Dakar, 2021
170 x 176cm
Cinéma Médina, Dakar
Cheikh Ndiaye
Cinéma Médina, Dakar, 2021
165 x 175cm
Cinéma Rio Lakota
Cheikh Ndiaye
Cinéma Rio Lakota, 2017
200 x 233cm
Cinéma Vox Saint-Louis
Cheikh Ndiaye
Cinéma Vox Saint-Louis, 2018
199 x 189cm
Sainte Sara, Les Saintes Maries de la Mer
Cheikh Ndiaye
Sainte Sara, Les Saintes Maries de la Mer, 2021
162 x 110cm
Cinéma Unité 3, Parcelles Assainies, Dakar
Cheikh Ndiaye
Cinéma Unité 3, Parcelles Assainies, Dakar, 2024
160 x 130cm
Galerie Cécile Fakhoury
Gallery
Galerie Cécile Fakhoury
Abidjan, Paris, Dakar

Galerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...

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