Cheikh Ndiaye

Cheikh Ndiaye’s work is guided by a singular look given to the informal, which is to him the source of his artistic practice. Retrieved from a lethal state, obsolete objects are brought back to life. The objects return to their material plenitude and are project into a renewed imaginary Cheikh Ndiaye’s world constantly reflects the origin of his research, the street. The painted views create openings and seem to traverse the opaque, dense and imposing exposed concrete wall. The everyday objects echo a tangible and established reality. However, the arrangements seem to veer from diverse spheres towards distant spaces and shifting times. The order of things through visible or concealed forms constantly reinvents itself to its limits. The unity of Cheikh Ndiaye’s work stems from the way he uses matter, recognizing its plurality. He materialises the idea of the porosity of substances, in relationships of alterity or otherness. He interlinks it in his pieces with the notion of deterioration, as if resisting omission. ...

Galerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...