Open Loops
Open Loops
Open Loops

Choon Mi Kim

Open Loops, 2023180 x 180cmSign in to view price
Details
MaterialGallery
oil on canvasGinny on Frederick
Description
Human-crafted. AI-refined.

The vibrant artwork showcases a dynamic composition of intersecting lines, shapes, and bursts of vivid colors. The central circular motif appears to be the focal point, surrounded by a chaotic web of energetic brushstrokes in shades of red, blue, green, and yellow. The overall style suggests an abstract expressionist approach, with the artist employing a gestural and improvisational technique to create a visually arresting and emotive piece. The work likely aims to evoke a sense of spontaneity, movement, and the artist's subjective interpretation of their inner experience. ...

Choon Mi Kim: Artworks
A Simple Shout
Choon Mi Kim
A Simple Shout, 2023
160 x 180cm
Island
Choon Mi Kim
Island, 2023
140 x 120cm
Open Loops
Choon Mi Kim
Open Loops, 2023
180 x 180cm
Green Rays
Choon Mi Kim
Green Rays, 2023
170 x 200cm
Nights Below Station Street
Choon Mi Kim
Nights Below Station Street, 2023
190 x 170cm
Strange Orchid
Choon Mi Kim
Strange Orchid, 2023
130 x 120cm
Mercury
Choon Mi Kim
Mercury, 2023
150 x 170cm
Make it Rain - 2
Choon Mi Kim
Make it Rain - 2, 2023
160 x 190cm
Day of Burning
Choon Mi Kim
Day of Burning, 2023
40.7 x 50.8cm
Square Shadow
Choon Mi Kim
Square Shadow, 2023
30.6 x 40.7cm
Ship Snow
Choon Mi Kim
Ship Snow, 2023
25 x 51cm
Mirror and Winter
Choon Mi Kim
Mirror and Winter, 2023
30 x 40cm
Nightfall
Choon Mi Kim
Nightfall, 2023
35.8 x 28cm
Ginny on Frederick
Gallery
Ginny on Frederick
London

Ginny on Frederick is a former shop unit opposite Smithfield Meat Market in Clerkenwell, east London, that’s capable of shapeshifting. ‘Frederick’ refers to founder and curator Freddie Powell’s original space on Frederick Terrace in Hackney, which closed during the first pandemic lockdown in 2020; ‘Ginny’ is his mum’s name. The anachronistic signage above the door of the current space reads ‘Sunset Sandwich Bar II: Hot & Cold Food to Take Away’, exemplifying what makes the gallery so compelling: it’s idiosyncratic, hiding in plain sight. Ginny on Frederick’s focus on young artists offers a sense of promise and something often missing in the capital: support at a local level for artists. ...

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