Strange Orchid
Strange Orchid
Strange Orchid

Choon Mi Kim

Strange Orchid, 2023130 x 120cm5000 GBP
Details
MaterialGalleryLocation
oil on canvasGinny on FrederickLondon
Description
Human-crafted. AI-refined.

This vibrant abstract painting features a dynamic interplay of colors and expressive brushstrokes. The composition is dominated by bold, intersecting lines in shades of red, green, and yellow, creating a sense of movement and energy. Amidst the swirling lines, there are organic, circular forms that add visual interest and a sense of whimsy. The artist's gestural, unconventional approach to the canvas reflects a spontaneous and exploratory artistic style, characteristic of contemporary abstract expressionism. This work invites the viewer to engage with its lively visual rhythms and to interpret its open-ended narrative. ...

Choon Mi Kim: Artworks
A Simple Shout
Choon Mi KimA Simple Shout, 20236500 GBP
Island
Choon Mi KimIsland, 20234950 GBP
Open Loops
Choon Mi KimOpen Loops, 20237000 GBP
Green Rays
Choon Mi KimGreen Rays, 20237500 GBP
Nights Below Station Street
Choon Mi KimNights Below Station Street, 20237000 GBP
Strange Orchid
Choon Mi KimStrange Orchid, 20235000 GBP
Mercury
Choon Mi KimMercury, 20236000 GBP
Make it Rain - 2
Choon Mi KimMake it Rain - 2, 20237000 GBP
Day of Burning
Choon Mi KimDay of Burning, 20233000 GBP
Square Shadow
Choon Mi KimSquare Shadow, 20232500 GBP
Ship Snow
Choon Mi KimShip Snow, 20232500 GBP
Mirror and Winter
Choon Mi KimMirror and Winter, 20232500 GBP
Nightfall
Choon Mi KimNightfall, 20232500 GBP
Ginny on Frederick
Gallery
Ginny on Frederick
London

Ginny on Frederick is a former shop unit opposite Smithfield Meat Market in Clerkenwell, east London, that’s capable of shapeshifting. ‘Frederick’ refers to founder and curator Freddie Powell’s original space on Frederick Terrace in Hackney, which closed during the first pandemic lockdown in 2020; ‘Ginny’ is his mum’s name. The anachronistic signage above the door of the current space reads ‘Sunset Sandwich Bar II: Hot & Cold Food to Take Away’, exemplifying what makes the gallery so compelling: it’s idiosyncratic, hiding in plain sight. Ginny on Frederick’s focus on young artists offers a sense of promise and something often missing in the capital: support at a local level for artists. ...