Claudio Coltorti paints as if capturing the afterimage of a memory—figures and forms emerging from layers of color like thoughts half-remembered. His practice moves between figuration and abstraction, guided by a deep engagement with intimacy, psychological space, and emotional residue. Ghostlike bodies, fragmented limbs, and indistinct faces appear and dissolve across the surface, suspended between presence and disappearance. Working primarily in oil on canvas, Coltorti develops his surfaces through slow, intuitive layering. Color and texture are central to his process: each gesture leaves a residue that accumulates over time, creating works that feel inhabited by past decisions, erased forms, and shifting emotional tones. His visual language resists fixed narratives, instead offering open-ended scenes that evoke private rituals, internal conflict, or fleeting moments of recognition. Figures are often doubled, mirrored, or multiplied—inviting interpretations around duality, desire, and the unstable nature of identity. Coltorti’s practice is rooted in the act of observation filtered through sensation. His paintings are not representations, but translations—of lived experience, emotional states, and subconscious impressions—into visual and tactile form. Through quiet intensity and a refusal of clarity, his work opens space for slowness, ambiguity, and poetic reflection. ...
