Estate (January 21, )
Estate (January 21, )
Estate (January 21, )
Estate (January 21, )
Estate (January 21, )
Estate (January 21, )

Cooper Jacoby

Estate (January 21, ), 201640 x 20 x 25cmSign in to view price
Details
MaterialGallery
thermoplastic, polarized polycarbonate, camera, screen, speaker, electronics, acrylic, clear coat, pan armFitzpatrick Gallery
Description
Human-crafted. AI-refined.

This minimalist artwork employs a monochromatic color palette, featuring a black digital display against a soft, creamy background. The numerical values displayed, 8, 133, 18, and 31, suggest a connection to measurement or quantification, though their precise meaning is ambiguous. The overall composition is simple and understated, creating a sense of mystery and inviting the viewer to ponder the significance of the numbers and their placement within the folds of the material. The artist's intention may be to challenge the viewer's perception of data and its relationship to the physical world, highlighting the intersection of technology and the tactile. ...

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Cooper Jacoby
Artist
Cooper Jacoby
B.1989, American

Cooper Jacoby’s diverse practice revolves around the notion of circulation, from postal process to acupuncture flow charts to honeycombs, and their respective predisposition to blockages and interruption. The artist, born in 1989 in the US, approaches his subject, looking for points of damage and rupture. His sculptures, mounted on walls or standing on their own, are made out of functional materials, such as silkscreens, printer inks and aluminium letter boxes, turned into dysfunctional, polished-looking intricate objects which, upon close examination, reveal faultiness and decay. Jacoby is interested in the ways materials deemed as “waste” are reevaluated, revalued and reused, examplified by his use of Fordite, a type of industrial waste which is made ornamental. In such a way, the subject and the materiality of his practice becomes indistinguishable. Intended to be neither beautiful nor ugly; neither useful nor useless, Jacoby’s works constitute puzzles of static movement at the intersection of the human and non-human, subtle in their complexity. ...

Cooper Jacoby: Artworks
Apopheniac (liver)
Apopheniac (winter)
Stressor
Cooper JacobyStressor, 2021
57 x 43 x 10cm
Estate (May 30th, 2017)
Estate (January 21, )
Ruminator (take me back)
Ruminator (rate my mind)
Ruminator (rent me out)
Mutual Life (67.2 years)
Mutual Life (39.4 years)
Mutual Life (29.8 years)
Mutual Life (37.1 years)
Fitzpatrick Gallery

Established in 2020, Fitzpatrick Gallery is focused on an international program of curated projects in site-specific venues worldwide, and on-site exhibitions at their primary location in Paris, inaugurated in September 2021 in the Marais gallery district at 123 rue de Turenne. They are involved in every level of production with their represented artists, working in close collaboration with institutions, publishing houses, advisory firms, and other partners. Fitzpatrick Gallery builds on the legacy of Freedman Fitzpatrick which was established in 2013 with locations in Los Angeles and Paris. ...

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