Wander/Wonder: Maps Necessary for a Walk in 4D #8

Cynthia Hawkins

Wander/Wonder: Maps Necessary for a Walk in 4D #8, 2024177.5 x 152.5 x 5cmSign in to view price
Details
MaterialGallery
acrylic on canvasKaufmann Repetto
Description
Human-crafted. AI-refined.

Cynthia Hawkins' "Wander/Wonder: Maps Necessary for a Walk in 4D #8" showcases a vibrant interplay of colors such as greens, pinks, and blues in layered, abstract forms. The composition includes intersecting lines, circular motifs, and mesh-like patterns, evoking a sense of dynamic movement akin to musical rhythms. Her style is abstract, reminiscent of jazz improvisation, blending natural and astronomical influences. The work challenges traditional notions of space and reality, drawing inspiration from diverse scientific and symbolic realms to explore complex spatial relationships on the canvas. ...

Similar Artworks
Y-M-1- -4-
Oshay GreenY-M-1- -4-, 2024
259.1 x 167.6 x 48.3cm
Y- 3- -M- -5
Oshay GreenY- 3- -M- -5, 2024
217.2 x 210.8cm
Half-Ones
Plastifossil 4
Giovanni ChiamentiPlastifossil 4, 2023
38.5 x 23.6 x 2.6cm
YM- -21-x1/2-
Oshay GreenYM- -21-x1/2-, 2024
365.8 x 396.2 x 213.4cm
Plastifossil 5
Giovanni ChiamentiPlastifossil 5, 2023
38.5 x 16.5 x 2.8cm
Hidden Path
On parole
Oshay GreenOn parole, 2025
168 x 60 x 40cm
Plastifossil 3
Giovanni ChiamentiPlastifossil 3, 2023
38.5 x 18.5 x 2cm
Fire Bearer
Oshay GreenFire Bearer, 2025
260 x 240 x 87cm
SPIT
Emmanuel AwuniSPIT, 2024
160 x 130 x 2cm
Plastifossil 2
Giovanni ChiamentiPlastifossil 2, 2023
38.5 x 23.7 x 2.5cm
Primordial Act
L7
Oshay GreenL7, 2024
243.8 x 121.9 x 2.5cm
A): Meditations
Artist
Cynthia Hawkins
B.1950, American

Cynthia Hawkins delves into the dynamic interplay of color, light, and spatial perception within two-dimensional abstraction. Her work navigates between abstraction and non-objective art, integrating references from natural forms, astronomical charts, and interstellar landscapes alongside formal elements like color, line, and shape. This fusion allows her to reimagine spatial relationships and positionality on the canvas with depth and nuance. Hawkins likens her visual compositions to musical forms like jazz, where elements such as call and response, movement, and rhythm shape a dynamic whole. She challenges the misconception that abstraction is inaccessible, instead highlighting its rich expressive qualities and historical roots, particularly its connection to African motifs and the legacy of artists like Aaron Douglas. Her process is informed by a wide array of scientific and symbolic influences, including astrophysics, microbiology, concepts of space-time, ancient cave symbols, and mathematics. By drawing on these diverse sources, Hawkins creates deeply layered works that invite viewers to reconsider how space and reality are depicted and experienced through abstraction. ...

Cynthia Hawkins: Artworks
Kaufmann Repetto
Gallery
Kaufmann Repetto
Milan, New York City

francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...