oil, epoxy resin, foam coat, and wax on canvasSouth Parade
Description
Human-crafted. AI-refined.
The artwork is a visually striking piece that features a predominantly neutral color palette with splashes of muted colors. The composition is centered on a prominent, abstract form that appears to be a fossilized or geological shape. The textural elements and the layered, tactile quality of the materials used suggest an experimental and expressive approach to the medium. The artwork likely explores themes of natural history, erosion, or the intersection between the organic and the artificial. The artist's intention may be to evoke a sense of timelessness or to challenge the viewer's perception of the natural world. ...
Kin Ting Li (b. 1991, Hong Kong) is a London-based artist whose work navigates the porous boundary between imagination and reality. His paintings unfold as intricate ecosystems of organic and inorganic forms, conjuring images that feel at once microscopic and cosmic. Rooted in everyday observations—from architecture and natural phenomena to literature and physics—Li’s visual language builds slowly and intuitively, resulting in layered, ambiguous structures that resist fixed interpretation.
Trained first in applied physics before earning a BA in Fine Art from the Slade School of Fine Art (2019), Li brings an analytical sensibility to the metaphysical and material concerns of painting. His compositions hover in states of flux, where forms evolve and dissolve across shifting planes of scale and perspective. These works suggest a world of perpetual transformation—one that is acutely aware of systems of cause and effect, yet open to rupture, intuition, and play.
Li has presented solo exhibitions at South Parade, London, and Pradiauto, Madrid (both 2021). His work has been featured in group exhibitions at institutions and galleries such as Nova Contemporary, Bangkok (2024); South Parade × Sadie Coles HQ, London (2022); Super Dakota, Brussels (2022); The Artist Room, London (2022); and Rossi & Rossi, Hong Kong (2017). In 2024, he participated in Karmic Fissures at PODIUM, Hong Kong—a landmark exhibition highlighting diasporic and local Hong Kong artists whose work intersects speculative philosophies, Buddhism, and quantum theory. ...
