The artwork features a multi-colored, textured object placed on a raised pedestal against a neutral brown background. The composition emphasizes the sculptural quality of the organic, amorphous form, which appears to be constructed from various fabrics or materials. The muted palette of pastel hues, including soft blues, greens, and pinks, creates a visually calming and tactile experience. The artwork's abstract nature and experimental approach to materials suggest an exploration of materiality and form, inviting the viewer to consider the relationship between the sculptural object and its surrounding space. ...
Dawn Ng was born in 1982, she lives and works in Singapore. Ng’s practice uses photography, light, film, collage, painting and large-scale installations to consider time, memory and the ephemeral. In her recent series Into Air she emphasises temporality and beauty through her documentation of melting blocks of pigmented ice, sculptural forms that she creates in layers in the studio. The final stage of the process results in ‘Ash’ or ‘residue’ paintings - paper is steeped in the melted pigment over several weeks and the result is a new surface, a combination of careful manipulation and chance. Encouraging slow looking, Ng’s works is characterised by lyricism and a nuanced use of colour and draws visual parallels with topographical references of landscape and geology.) ...
-06?_a=BAVAZGID0)
