Emanuele Marcuccio's sculpture "Senza luce" features a striking composition using bold blue and black colors with red circular accents, grounded on a natural wooden base. The work challenges conventional furniture design, making use of geometric forms and minimalistic metal accents. Its style blends minimalism with a conceptual twist, employing readymade influences. The piece reflects Marcuccio's exploration of dualities, creating an ambiguous space between function and art, which mirrors his broader oeuvre questioning form and meaning. ...
In the works of Emanuele Marcuccio, forms are constantly questioned, renegotiated. Making use of both minimal metal artefacts, readymades and photography, the artist develops a strategy whereby associations take the form of allegories. In his serial works to date, surface and depth, information and voids, authenticity and artifice, the legit and the fake, that is classic dualisms and cherished ideals generally, get diluted and mixed up not to the point of conceptually rather exhausted synthesis or crash, but as tentative environments that play style and idea off against one another. Emanuele Marcuccio is an Italian artist living in Milan, Italy. ...
LODO Gallery is a contemporary art space dedicated to exploring the dynamic relationship between emptiness and materiality. Founded on the belief that the void is not a lack, but a fertile ground for meaning and creation, the gallery showcases works across a range of media—including painting, sculpture, installation, photography, and video.
Its curatorial approach emphasizes conceptual depth and visual resonance, offering exhibitions that invite reflection on contrast, presence, and transformation. The name LODO, meaning “mud” in Spanish, symbolizes the gallery’s core philosophy: like mud—a blend of earth and water—the void is a generative matrix where form and thought take shape.
Located at the intersection of absence and expression, LODO Gallery fosters a space where artistic practices can unfold with freedom, nuance, and integrity. ...
