Patient 2.29_0120

Esther Michaud

Patient 2.29_0120, 202050 x 120 x 105cm7500 EUR
Details
MaterialGalleryLocation
steel, wood, embroidery, polyurethane foam, concrete, epdm coatingSEPTIEMEParis
Description
Human-crafted. AI-refined.

This abstract sculpture features a striking visual composition. The main element is a metal rod bent into a curved, arrow-like shape, covered in vibrant green moss-like growth. The rod is balanced on a rectangular concrete plinth, creating a sense of precarious equilibrium. The overall monochromatic palette, with the gray concrete and white backdrop, allows the verdant organic texture to stand out prominently. The artist seems to explore the interplay between the natural and the manmade, as well as the fragile yet persistent nature of growth. This thought-provoking work challenges the viewer to consider the relationship between the organic and the constructed elements. ...

Similar Artworks
Poire nasale et boules azurées du col de Vence
Hubert MarotPoire nasale et boules azurées du col de Vence, 20247500 GBP
Sans titre 5
Youthakone SoumpholphakdySans titre 5, 20233000 EUR
From Chaos to the stars. Three cycle of the Orgiax Collective Birth (3)
Valentin RangerFrom Chaos to the stars. Three cycle of the Orgiax Collective Birth (3), 202411500 EUR
Surf 5
Mimosa EchardSurf 5, 202432000 USD
Effloraison pendant déflagration
Valentin RangerEffloraison pendant déflagration, 20202700 EUR
Tous les jours, pâte à tartiner
Mégane BrauerTous les jours, pâte à tartiner, 20234500 EUR
Take care
Marie-Claire Messouma ManlanbienTake care, 202312000 EUR
THE EVIL PART INSIDE OF ME IS LAUGHING
Tarek LakhrissiTHE EVIL PART INSIDE OF ME IS LAUGHING, 202425000 EUR
Délivrances
Chloé QuenumDélivrances, 20247000 EUR
The Hours After
Diane Dal-PraThe Hours After, 2022Price on Request
Sans titre 4
Youthakone SoumpholphakdySans titre 4, 20233000 EUR
Perce-neiges du square Hector Berlioz et couteau
Hubert MarotPerce-neiges du square Hector Berlioz et couteau, 20243500 GBP
Patient 2.29_0120
Artist
Esther Michaud
1993 , French

Esther Michaud (b. 1993) grew up in the Ardennes, today she lives and works in Paris. After a stint at the Rietveld Academy in Amsterdam in textiles, she graduated in 2018 from the École Nationale Supérieure des Arts Décoratifs de Paris in Printed Image. Esther Michaud’s work is a complex and fertile union of vegetal, manufactured and technological elements, where nature intertwines with a world entirely shaped by man. Through sculptures, installations and pictorial compositions, she intervenes in an almost surgical manner on materials collected using diverted techniques such as weaving, embroidery or welding. Her grafts combine the organic with elementary materials of industrial and technological origin. Exploring the principles of mutation and metamorphosis, she is interested in the formative process of organic entities and reinvents the language of plants. Her manipulations give birth to hybrid beings that question the limits of biological emancipation from nature. Drawing a link between entities that seem incompatible, her work proposes a symbiosis, blurring the traditional confrontation of natural/artificial, organic/inorganic, human/non-human, living/abiotic. Her works seek to cast a new light on the exploitation of nature and to question its future in the face of the impact of human intervention. ...

Esther Michaud: Artworks
Patient 2.29_0120
Esther MichaudPatient 2.29_0120, 20207500 EUR
Patient 2.30_0321
Esther MichaudPatient 2.30_0321, 20218500 EUR
Patient 2.32_0621
Esther MichaudPatient 2.32_0621, 20213500 EUR
RAM171024
Esther MichaudRAM171024, 20245000 EUR
Patient 2.34_0324
Esther MichaudPatient 2.34_0324, 20244000 EUR
Patient 2.35_0324
Esther MichaudPatient 2.35_0324, 20243500 EUR
Étude 2.34
Esther MichaudÉtude 2.34, 20242500 EUR
SEPTIEME
Gallery
SEPTIEME
Paris, Cotonou

Founded in 2019 in the 7th arrondissement of Paris in a Haussmann-style setting, SEPTIEME opened its second space in September 2022 in Cotonou, Benin, in a 200m2 warehouse in the center of the city, to offer exhibitions in a new format to audiences in the West African sub-region. It made sense for SEPTIEME to deploy its vision spatially and to help push back the frontiers of contemporary art, as well as to contribute to the construction of new contemporary art strongholds.