Details
MaterialGallery
white bronze bronzo biancoZERO…
Description
Human-crafted. AI-refined.

"Dogod" by Giorgio Andreotta Calò features an intricate composition of distorted, organic shapes in earthy tones, with a skeletal structure and raw texture. It appears amalgamated from natural materials, resembling a fragmented architectural or biological form. The piece exemplifies a sculptural approach that is both abstract and evocative, inviting viewers to navigate its layered complexity. Reflective of Calò’s style, the artwork explores the interplay of permanence and impermanence, aiming to engage viewers in a contemplative experience of space and time, rooted in the tension between natural and constructed environments. ...

Icarus (ramo) XXVI
Artist
Giorgio Andreotta Calò
B.1979, Italian

Working with sculpture and site-specific interventions, Giorgio Andreotta Calò constructs environments that navigate memory, temporality, and perception. His work often incorporates architectural fragments, natural materials, and found objects, creating immersive environments that explore memory, temporality, and the interaction between physical and symbolic spaces. Calò’s installations are designed to engage viewers both physically and contemplatively, emphasizing the sensory and perceptual experience of space. By recontextualizing fragments of architecture and natural elements, he investigates how environments shape human experience and perception over time. Through his work, Calò examines the dialogue between past and present, blending historical references with contemporary interventions. His pieces often reveal the tension between permanence and impermanence, inviting viewers to reflect on the layers of meaning embedded within both natural and constructed environments. ...

Giorgio Andreotta Calò: Artworks
Icarus (ramo) XXVI
Giorgio Andreotta CalòIcarus (ramo) XXVI, 2024
35 x 15 x 8cm
Dogod
Giorgio Andreotta CalòDogod, 2025
30 x 20cm
ZERO…
Gallery
ZERO…
Milan

Over the years, the gallery has developed a programme of exhibitions with Italian and international artists, focusing on themes related to time, space and the human condition. Moving to Milan in 2003, developed a narrative connected to a nomadic attitude, using different spaces in the city. ZERO... has collaborated with national and international museums, as well as public and private institutions.