Giulia Mangoni
Details
Description
Human-crafted. AI-refined.This vibrant contemporary artwork showcases a striking composition of bold colors and organic shapes. The painting depicts an abstract, fantastical creature in shades of yellow, blue, and green, set against a dynamic backdrop of swirling patterns and celestial elements. The artist's distinctive style blends playful surrealism with a bold, expressive use of the medium, creating a visually captivating and imaginative piece. The work invites the viewer to engage with its whimsical, dreamlike qualities, hinting at the artist's intention to evoke a sense of wonder and imagination. ...
Similar Artworks
Giulia Mangoni
1991 , ItalianGiulia Mangoni is an Italian-Brazilian artist whose practice revolves around the ethics of return; she is interested in creating orchestrated interventions through the lens of painting in order to deconstruct notions of memory and identity linked to specific geographies and decentralized communities. Her work develops through visual methods of personal narration, often the result of a dialogue with several voices, whose influences, relationships, and contributions help to create works that temporarily solidify this process of knowledge and world building in continuous evolution. Currently, Mangoni continues to deepen her research surrounding ideas of territorial belonging through collaboration with artisans, agronomists and breeders of autochthonous species in the Ciociaria region, and applying these developing methodologies to projects in different regions. Born in 1991 in Isola del Liri, FR, Mangoni grew up between Italy and Brazil and has now returned to live and work in her hometown. Mangoni has a Foundation Degree in Art & Design from Falmouth University of the Arts (2011), a Bachelor of Painting (Hons) from City & Guilds of London Art School (2014), where she was also a winner of both the Skinner Connard’s Travel Award. Prize and the Chadwick Healey Prize for painting, and an MFA from the SVA Art Practice program in New York City, (2019). ...