Sedimentary landscape

Gokula Stoffel

Sedimentary landscape, 2024104.14 x 66.04cmSign in to view price
Details
MaterialGallery
Description
Human-crafted. AI-refined.

This vibrant textile wall hanging displays a striking composition of intersecting lines, shapes, and colors. The artwork features a diverse tapestry of vibrant hues, including red, orange, yellow, green, and blue, woven together in a visually captivating pattern. The intricate textures and interlocking geometric forms create a dynamic, layered surface that invites closer inspection. The artist's masterful use of weaving techniques and bold color choices result in a contemporary, abstract piece that evokes a sense of movement and energy. This artwork likely reflects the artist's exploration of traditional textile practices and their translation into a modern, conceptual medium. ...

Similar Artworks
Someone who isn't you
What I Saw
Portia ZvavaheraWhat I Saw, 2016
199 x 332cm
Wonderfully Made [2]
Untitled
Sacred Vessels
Wonderfully Made [1]
Face Value (Dollar Baby)
Handidi Kuzviona
Untitled
Wyatt KahnUntitled, 2021
128.3 x 52.1 x 15.2cm
SamSamSam
Wyatt KahnSamSamSam, 2017
172.7 x 180.3 x 19.1cm
Untitled
Kudzanai-Violet HwamiUntitled, 2019
30 x 30cm
Emblema
Rubem ValentimEmblema, 1978
70 x 50cm
Endgame
Tina BraeggerEndgame, 2024
38.5 x 30.5 x 3.5cm
manifestation
Nurture (I am not even hungry)
Natalia González MartínNurture (I am not even hungry), 2022
18 x 12.5 x 2cm
Wallpaper with View I
Ode (Shines Like a Coin)
Fake Tan
Olivia SterlingFake Tan, 2021
91.4 x 121.9cm
Tragicomedy in Two Parts: The Sun
Cherries and Lies
Natalia González MartínCherries and Lies, 2021
21 x 14cm
Three Bites
Natalia González MartínThree Bites, 2022
61 x 50cm
Spinario
Natalia González MartínSpinario, 2021
42 x 29cm
Marionete Cactus
Eterno retorno
Gloria Sebastián FierroEterno retorno, 2017
240 x 160cm
Cactos de casa
Paulo Nimer PjotaCactos de casa, 2024
77.5 x 44 x 3cm
Escutar é uma utopia 4
PASTY LEGS, BEGONE!
Hadn't there been flowers
Natalia González MartínHadn't there been flowers, 2023
61 x 91 x 5cm
Double Take
Caça-palavras
Artist
Gokula Stoffel
B.1988, Brazilian

Gokula Stoffel examines how the “pictorial” can unfold within objects and spatial relationships, pushing the boundaries of traditional painting. Rather than limiting herself to conventional canvases, she applies painting techniques onto industrial materials, glass fragments, and diverse fabrics, crafting fragmented spatial collages that blur the lines between image and object. Her work is deeply rooted in attentiveness to her immediate environment, with a strong emphasis on materiality shaped by context and interpersonal exchange. Stoffel incorporates gifted fabrics, lavender branches collected near her studio, and other natural and synthetic fibers into daily, almost meditative rituals involving conversation and connection. These elements coexist alongside upholstery, resins, weaves, and threads to form compositions that merge painting, sculpture, embroidery, and drawing into a fluid practice. Her creative process embraces chance, intuition, and the natural qualities of materials, favoring a sinuous and tactile approach over strict technical precision. Whether working with her hands, brushes, or thread, Stoffel reveals an underlying harmony that reflects both emotional intensity and a profound engagement with the physical world. ...

Gokula Stoffel: Artworks
Caça-palavras
Fogo-fátuo
Remain
Gokula StoffelRemain, 2024
20 x 21.5 x 3cm
Cat's cradle
Spiraling
Gokula StoffelSpiraling, 2023
13 x 12.5 x 4.5cm
Siren Song
Phantom
Gokula StoffelPhantom, 2024
61 x 41cm
Sandstorm
Sedimentary landscape
Womb
Gokula StoffelWomb, 2024
81.5 x 67 x 3cm
Horizon
Gokula StoffelHorizon, 2024
20 x 30cm
Drum
Gokula StoffelDrum, 2024
190 x 153cm
Broth
Gokula StoffelBroth, 2024
153 x 195cm
End of line
Gokula StoffelEnd of line, 2024
17 x 16 x 3cm
Waterfall
Gokula StoffelWaterfall, 2024
20.5 x 14 x 2.5cm
Instituto de Visión
Gallery
Instituto de Visión
Bogotá, New York City

Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...