No Signal (Test Pattern Tapestry 5)

G.T. Pellizzi

No Signal (Test Pattern Tapestry 5), 2018120 x 152cmSign in to view price
Details
Material
sheep wool, natural dye
Description
Human-crafted. AI-refined.

This abstract artwork features a vibrant and dynamic composition. The canvas is dominated by a bold color palette, with a mix of geometric shapes and patterns that create a sense of visual tension and movement. The central circular motif is framed by a checkerboard-like border, adding a sense of structure and symmetry to the piece. The artist has employed various textile techniques, such as weaving and stitching, to achieve a textural and layered effect. The overall aesthetic suggests an exploration of themes related to technology, media, and the complexities of modern life. ...

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No Signal (Test Pattern Tapestry 5)
Artist
G.T. Pellizzi
B.1978, Mexican

G.T. Pellizzi sculpts works that probe the intersections of urban development, architecture, and power structures. Drawing on his background in philosophy and architectural studies, he employs industrial materials—such as porcelain, steel, and neon—to construct forms that evoke the temporality and impermanence of construction sites. Through these materials, Pellizzi transforms everyday urban objects into poetic meditations on visibility, control, and transformation within contemporary cityscapes. His practice investigates the aesthetics of urban decay, obstruction, and displacement, exploring how physical structures reflect broader socio-political forces. By repurposing scaffolding, light fixtures, signage, and other construction elements, he creates installations that simultaneously reference the built environment and question the systems that shape it. Pellizzi’s work emphasizes process, materiality, and the subtle interplay between form and meaning, inviting viewers to consider the hidden narratives embedded in architecture and infrastructure. Through this approach, he positions sculpture as both a reflective and critical tool, merging philosophical inquiry with the material language of the city. ...