This abstract artwork features a minimalist, grid-like composition of geometric shapes and numeric scales. The predominant colors are muted tones of gray, with the central element being a large circular dial or gauge. Prominent features include the numbered scales, various symbols, and the Russian text "Tablitsa 0249" at the center. The overall style suggests a technical or scientific aesthetic, perhaps referencing measurement or instrumentation. The artist's intention may have been to explore the visual language of industrial design or to comment on the role of technology in modern life. ...
G.T. Pellizzi sculpts works that probe the intersections of urban development, architecture, and power structures. Drawing on his background in philosophy and architectural studies, he employs industrial materials—such as porcelain, steel, and neon—to construct forms that evoke the temporality and impermanence of construction sites. Through these materials, Pellizzi transforms everyday urban objects into poetic meditations on visibility, control, and transformation within contemporary cityscapes. His practice investigates the aesthetics of urban decay, obstruction, and displacement, exploring how physical structures reflect broader socio-political forces. By repurposing scaffolding, light fixtures, signage, and other construction elements, he creates installations that simultaneously reference the built environment and question the systems that shape it. Pellizzi’s work emphasizes process, materiality, and the subtle interplay between form and meaning, inviting viewers to consider the hidden narratives embedded in architecture and infrastructure. Through this approach, he positions sculpture as both a reflective and critical tool, merging philosophical inquiry with the material language of the city. ...
