ECONOMICS OF BETRAYAL

Gvantsa Jishkariani

ECONOMICS OF BETRAYAL, 202285 x 65cmSign in to view price
Details
MaterialGallery
embroidery on factory made re-worked, torn, tapestries, 3 large nailsBallon Rouge
Description
Human-crafted. AI-refined.

Visual Elements: The artwork features a collage of various natural elements, including dried flowers, leaves, and other organic materials, arranged in a striking and visually compelling manner. The composition is dominated by earthy tones, with pops of vibrant red in the text. Subject Matter: The central focus of the artwork is the text "ECONOMICS of BETRAYAL," which is prominently displayed in bold red letters, suggesting a critical commentary on economic and social themes. Artistic Style and Technique: The artwork employs a mixed media approach, incorporating found natural materials and textures to create a layered, textural, and visually engaging composition. The use of organic elements and the DIY-style aesthetic suggest a raw, unconventional, and conceptual artistic approach. Context: The title "ECONOMICS of BETRAYAL" and the use of natural materials suggest the artist's intention to critique or comment on themes related to economic and social systems, potentially drawing attention to issues of exploitation, inequality, or the consequences of betrayal. ...

Morally Corrupt
Artist
Gvantsa Jishkariani
Georgian

Gvantsa Jishkariani: Artworks
Morally Corrupt
Gvantsa Jishkariani
Morally Corrupt, 2022
110 x 67cm
THROUGH THE BLIZZARDS, THROUGH THE WARS
Gvantsa Jishkariani
THROUGH THE BLIZZARDS, THROUGH THE WARS, 2022
103 x 258cm
BRUTAL HONESTY
Gvantsa Jishkariani
BRUTAL HONESTY, 2022
60 x 260cm
Minor Injustice
Gvantsa Jishkariani
Minor Injustice, 2023
110 x 73cm
ECONOMICS OF BETRAYAL
Gvantsa Jishkariani
ECONOMICS OF BETRAYAL, 2022
85 x 65cm
Necessary Eternity
Gvantsa Jishkariani
Necessary Eternity, 2023
54 x 50 x 9cm
Guarding it so Never Goes
Gvantsa Jishkariani
Guarding it so Never Goes, 2022
90 x 70cm
Ballon Rouge
Gallery
Ballon Rouge
Brussels

Ballon Rouge began as a nomadic gallery in September of 2017. In our first two years we put up exhibitions in Istanbul, London, Los Angeles, Brussels, Sao Paulo, Paris, and New York. Each of the cities we visited was stewarded by a ‘collective member’ - a curator who introduced us to artists and to their respective city’s art scene. In March of 2019 we made Brussels our home city, inaugurating our permanent space. While we will continue to do shows abroad alongside our collective members, our primary location is now Brussels. Besides our own exhibitions, the space in Brussels sometimes hosts invited international galleries to show with us in exchange for a show of ours at theirs - a further continuation of our ethos of collaboration and collectivity. So far we have collaborated or will soon collaborate with Hannah Barry Gallery (London); Melange (Cologne); Galerist (Istanbul); Gallery Artbeat, (Tbilisi); the Pill (Istanbul); Pi Artworks (Istanbul, London); Vitrine (London, Basel). ...

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