The vibrant artwork features a central circular motif filled with an otherworldly, surreal depiction. The composition is dominated by bold, saturated colors – deep pinks, blues, and oranges – creating a dreamlike, almost psychedelic atmosphere. The central figure appears to be a stylized human form, its body contorted and suspended within a web-like structure, evoking a sense of tension and movement. The artist's distinctive use of fantastical imagery and imaginative technique suggests a commentary on the human condition or an exploration of the subconscious realm. ...
Using a combination of precise swirling palette knives and thick, layered acrylics, HyeGyeong Choi's painting delves into the intricate socio-cultural dynamics she navigates as a female subject. Her works, emblematic of phantasmagorical terrains are populated with extramundane flora and fauna and employ a vibrant chromatic spectrum with whimsical visual motifs. Employing media such as watercolors, colored pencils, ink pens, and intermittently acrylics, her evocative and intense compositions often feature rotund-faced entities ensconced in landscapes reminiscent of Hieronymus Bosch's iconography. These habitats, punctuated by lilac-hued suns, amber clouds, passion fruit hillocks, floral efflorescences, and phallic fungi, coalesce to engross the observer in a mesmeric visual tableaux. Rooted in her Korean heritage, Choi grapples with the prescriptive aesthetic paradigms imposed upon women, delineating a specific archetype of femininity. Her artistry audaciously engages with discourses surrounding corporeal perception, self-identity, gender constructs, and sexual identity, thereby contesting and critiquing the entrenched sexual prescriptions in Korean ethos that perpetuate female objectification.
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Founded in 1997, Harper’s is dedicated to exploring relationships between fine art and print media. Drawing on founder Harper Levine’s decades-long career as a rare book dealer, the original location at 87 Newtown Lane remains a cultural hub of the East End.
