This contemporary art display features two distinct black and white photographs presented in simple frames. The left image depicts a close-up of an infant, capturing the delicate features and fragility of human life. In contrast, the right image showcases an intricate architectural structure, emphasizing the geometric patterns and mechanical elements. The juxtaposition of these two photographs suggests a dialogue between the natural and the constructed, the organic and the engineered, inviting the viewer to explore the interplay between the human and the technological. The artist's intention appears to be highlighting the coexistence and interdependence of these seemingly disparate realms within the contemporary experience. ...
Em Rooney combines sculpture and photography in her practice, which orbits ideas of queerness, intimacy, anti-capitalism and communion. Seeing photographs as “too frail” to stand alone, Rooney works with pewter, plaster and resin amongst other texturally weighty materials to craft individual frames, or “containers” as she labels them for each work. As an antidote to the constant stream of images we encounter through advertising, social media and other streams of technology, Rooney’s work affords each photograph a sense of stillness and care not readily gifted to contemporary images. The ‘container’ for each work draws out the tonal intricacies of the original image. Languid, rippled pewter frames may heighten the vulnerability of a particular subject, or encasing the image in neon resin will amplify the vitality of another. Since 2020, Rooney has begun producing sculptures without photographic elements, expanding the material parameters of her practice. These large-scale sculptures are brought to life with a plethora of materials such as steel, velvet, linen, wax, rice paper and yarn. Rooney cites the work of Ree Morton, Elizabeth Murray and Lee Bontecou as key influences in developing this sumptuous and tactile quality in her sculptures, yet this entwinement with materiality has run as a constant throughout her practice. ...
Since 2009, François Ghebaly has presented an innovative, eclectic program of Los Angeles-based and international artists. With a history of identifying and championing diverse voices and emerging talent, the gallery’s roster has grown to include 27 artists and 2 artist estates, ranging from early career, such as Sharif Farrag and Ludovic Nkoth, to mid-career, like Christine Sun Kim, Meriem Bennani, Kelly Akashi, Farah Al Qasimi, and Genesis Belanger, to well established, including Sayre Gomez, Kathleen Ryan, Neïl Beloufa and Candice Lin as well as underground legends, like Patrick Jackson and Mike Kuchar. The gallery advances the reach of its artists’ visions by publishing exhibition catalogues and producing artist editions. Located since 2013 in a 12,000 square foot warehouse space in Downtown Los Angeles, the gallery is a mainstay of the burgeoning Arts District community, and recently expanded to New York's Lower East Side. François Ghebaly’s program demonstrates a commitment to challenging work across all media and to fostering the progressive, boundary-pushing practices of its artists. ...
