Peter's hear
Peter's hear
Peter's hear
Peter's hear
Peter's hear

Janine Iversen

Peter's hear, 2023182.9 x 152.4cmSign in to view price
Details
MaterialGallery
oil on linenClearing
Description
Human-crafted. AI-refined.

The painting features bold, warm tones of red and orange, with layers of brushstrokes creating a dynamic, swirling composition. A large, abstract eye-like shape is the central focus, surrounded by the energetic, expressive brushwork. The style is abstract expressionist, with the artist employing a gestural, spontaneous technique to convey a sense of intensity and emotion. This work may reflect the artist's personal exploration of the subconscious or a desire to evoke a visceral, primal response from the viewer. ...

Similar Artworks
50 (gray)
Jessi Li50 (gray), 2024
17.78 x 13.97 x 3.81cm
49 (emerald)
Jessi Li49 (emerald), 2024
33.02 x 33.02 x 5.08cm
Cruel Alphabet
Maryam HoseiniCruel Alphabet, 2023
124.5 x 94 x 9cm
Spring Is Coming
Alexandra HammondSpring Is Coming, 2024
20.32 x 25.4cm
Swells, No. II
Maryam HoseiniSwells, No. II, 2025
172.7 x 121.9 x 5.1cm
Candle That Burns
48 (yellow)
Jessi Li48 (yellow), 2024
15.24 x 15.24 x 5.08cm
RUG II
Sarah ZapataRUG II, 2019
160 x 150cm
Onitaiji: Fall
Bust of Saturn IV
Big Smile
Alexandra HammondBig Smile, 2023
152 x 91cm
Museum Archive 2
Doubling Acts 3
Maryam HoseiniDoubling Acts 3, 2022
147.3 x 106.7 x 3.8cm
Kronos 5
Peter's hear
Artist
Janine Iversen
B.1981, American

Janine Iversen begins with the knowledge that her paintings resist resolution. They unfold in the space between sensation and execution—where the hand misaligns with the eye, and the image refracts back at the viewer, never quite stable. Swirls, openings, and apertures pulse across her surfaces like shifting weather systems. Each canvas is an event in motion, full of flickering thresholds that tease recognition before sliding back into pure material. Ovals might suggest nostrils or thumbprints, while smirks and pupils dissolve into abstract gestures, mocking any attempt at definition. Her process is fast, physical, and constantly evolving—canvases are rotated, scraped, reworked, and occasionally undone. What remains are traces of velocity: the flick of a brush, the aftershock of a decision, the energy of something just arrived. Scale varies, but each work is held in a state of temporary resolution, alive for the moment it holds together. Rather than offering fixed images, Iversen dissects the mechanics of looking—how a stroke becomes a signal, how form emerges only to vanish. Her paintings don’t just depict perception; they demand it, rewarding viewers who are willing to meet them with equal intensity and attentiveness. ...

Janine Iversen: Artworks
Peter's hear
Janine IversenPeter's hear, 2023
182.9 x 152.4cm
Who had had who
Janine IversenWho had had who, 2020
152.4 x 167.6cm
Untitled
Janine IversenUntitled, 2023
152.4 x 167.6cm
Untitled
Janine IversenUntitled, 2023
152.4 x 121.9cm
Clearing
Gallery
Clearing
New York City, Los Angeles, Brussels

C L E A R I N G is a contemporary art gallery based in New York, Los Angeles and Brussels. The gallery was founded in 2011, with the focus of showing emerging art. It now represents over 20 living artists, providing many of them - such as Harold Ancart, Korakrit Arunanondchai, Chase Hall, Calvin Marcus and Marina Pinsky - with their first gallery exhibition. The gallery also represents the estates of Eduardo Paolozzi, Bruno Gironcoli and René Heyvaert. C L E A R I N G supports its artists by producing works, exhibitions and books, as well as working closely with public and private institutions. ...