Banana Tree No. 3 (Study)

Jebila Okongwu

Banana Tree No. 3 (Study), 202155 x 75cmSign in to view price
Details
MaterialGallery
oil on linenBaert Gallery
Description
Human-crafted. AI-refined.

The artwork features a bold, vibrant composition of geometric shapes and contrasting colors. Prominent black silhouettes of figures are juxtaposed against a striking red and white background, creating a sense of dynamism and energy. The use of graphic elements and bold typographic elements suggest a Pop Art influence, with a focus on commercial and urban imagery. The overall style and composition convey a sense of social commentary or political messaging, though the specific context and the artist's intention remain open to interpretation. ...

Similar Artworks
Sutz´ (Cloud)
Abyss
Sunflower And Match
Untitled
Head With Flowers III
Iris II
Michael HilsmanIris II, 2020
25.4 x 20.3cm
Sweet Spot
Man On Ladder
Michael HilsmanMan On Ladder, 2021
223.5 x 147.3cm
Morena de Bahia
Piecework #38
Lounge Lover
Quartet
Idris KhanQuartet, 2019
79 x 54.4 x 4cm
Butterfly
Senza Titolo
Jebila Okongwu
Artist
Jebila Okongwu
B.1975

Jebila Okongwu critiques stereotypes of Africa and African identity and repurposes them as counterstrategies, drawing on African history, symbolism, and spirituality. One of his preferred materials is banana boxes; their tropicalized graphics articulate an ‘exotic’ provenance, much like the exoticization of African bodies from an ethnocentric perspective. When these boxes are shipped to the West from Africa, the Caribbean and South America, old routes of slavery are retraced, accentuating existing patterns of migration, trade, and exploitation. Okongwu often investigates methods to communicate what it feels like to be embedded in structures of domination such as colonialism, racism, and exploitation, and how to represent this aspect of blackness. His frequent use of imagery related to BDSM is not an attempt to allude to the histories of domination and oppression by analogy with these practices, where acts of submission are obviously voluntary, but as an instrument to examine roles of difference and the embodiment of certain types of sensations. The artist is questioning how difference becomes material within the contexts of race and power. By the layering of the exoticized and stereotyped corporate logos of multinational banana importers with imagery related to BDSM, he attempts to articulate the complex histories of physical experience on the body of the other, where domination and brutality have not only been profitable, but also eroticized. ...

Jebila Okongwu: Artworks
Banana Tree No. 2
Jebila OkongwuBanana Tree No. 2, 2024
180 x 126.5 x 2.7cm
Banana Tree No. 5
Jebila OkongwuBanana Tree No. 5, 2024
180 x 126.5 x 2.7cm
Banana Tree No. 8
Jebila OkongwuBanana Tree No. 8, 2024
180 x 126.5 x 2.7cm
Banana Tree No. 10
Jebila OkongwuBanana Tree No. 10, 2024
180 x 126.5 x 2.7cm
Banana Tree with rope (study)
Baert Gallery
Gallery
Baert Gallery
Los Angeles

Founded in 2016, Baert Gallery maintains a distinct focus on bridging the historical legacies and artistic sensibilities of Europe and Los Angeles. Working with a roster of emerging artists, the gallery is committed to showcasing a diverse program of work that engages complex philosophical, critical, and political concepts while challenging settled and conventional aesthetic expectations. Located in Los Angeles’ Arts District, the gallery is dedicated to fostering and promoting the region’s unique art scene in a spirit of local cooperation and in dedication to mindful sensitivity towards its broader geographical and social milieu. ...

Unlock Price & Inquiry Access