No man’s land #15

Jems Koko Bi

No man’s land #15, 201535 x 26 x 20cmSign in to view price
Details
MaterialGallery
Description
Human-crafted. AI-refined.

The artwork appears to be a carved wooden head, with a rough, textured surface and an abstract, expressive facial features. The composition focuses on the three-dimensional form, with emphasis on the distinct shapes and patterns created by the carving process. The overall impression conveys a sense of weathered, aged character. The artwork likely reflects the artist's exploration of primitive sculptural techniques and their ability to evoke timeless human expressions through minimal, primal forms. This carved head piece may be part of the artist's broader investigation into the enduring power of simplified, archetypal representations of the human face. ...

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Jems Koko Bi
Artist
Jems Koko Bi
B.1966, Ivorian

Both a sculptor and a performer, Jems Koko Bi mixes avant-gardist influences to his firmly african history. In his works, he questions the notions of space and time, within a wider and ongoing reflexion on his own existence.''The trees give me instructions and I carry them out in the wood. They advise me and I tell their stories.'' His wooden sculptures initiate a conversation with the forces of nature. In his studio at the heart of the forest, immense sculptures see the light of day and interrogates the identity and the ancesters, the native land and the exile. Through a subtle and confident gesture, the artist reveals the outlines of matter. Following multiple deafening swings, a face comes out of the stump. The mechanised, sympathetic, hand drags it out. It has always existed, but it was hidden from the world. The gesture reveals its shape. In rhythm, through gentle touches, the artist seems to caress its surface, which he transforms at each passage. He awakens the element with a mastered intuitive precision: a dance armed with an iron fist in a breath of tenderness. ...

Jems Koko Bi: Artworks
Le Lecteur
Jems Koko BiLe Lecteur, 2019
202 x 49 x 74cm
Les Visionnaires #10
Les visionnaires #17
Les Visionnaires #27
Les visionnaires #28
No Man's Land #13
No Man's Land #17
Pause, chaise #2
Pause Figurine #4
Passengers
Jems Koko BiPassengers, 2012
600 x 400 x 80cm
Pause figurine #1
Pause Figurine #2
Deux visions
Jems Koko BiDeux visions, 2021
76 x 62 x 80cm
Au delà des chaises #1
Bassam
Jems Koko BiBassam, 2021
235 x 70 x 100cm
Carnet intime
Jems Koko BiCarnet intime, 2017
331 x 70 x 74cm
Cocon
Jems Koko BiCocon, 2021
283 x 67 x 85cm
Consultation
Deux visions
Jems Koko BiDeux visions, 2021
76 x 62 x 80cm
Domino
Jems Koko BiDomino, 2015
238 x 260 x 113cm
Empty
Jems Koko BiEmpty, 2016
650 x 80 x 200cm
Face au monde
Jems Koko BiFace au monde, 2019
130 x 40 x 50cm
Gardien II
Gardiens du temps I
Gardiens du temps II
Guilty #1
Jems Koko BiGuilty #1, 2015
198 x 47 x 50cm
Guilty #2
Jems Koko BiGuilty #2, 2015
194 x 57 x 54cm
Homeless
Jems Koko BiHomeless, 2015
90 x 290 x 136cm
Johanna
Jems Koko BiJohanna, 2017
270 x 60 x 65cm
L'arbre fruitier
L'autre moi #1
L'autre moi #2
L'autre moi #3
L'autre moi #4
L'observateur
Jems Koko BiL'observateur, 2021
190 x 50 x 50cm
L'oracle
La visite
Le Chant du Colibri I
Le Chant du Colibri II
Le sommeil de l'arbre
Les Jurés
Jems Koko BiLes Jurés, 2013
272 x 40 x 65cm
Les Visionnaires #1
Les Visionnaires #10
Les Visionnaires #12
Les Visionnaires #13
Les Visionnaires #15
Les Visionnaires #16
Les Visionnaires #2
Les Visionnaires #22
Les Visionnaires #23
Les Visionnaires #24
Les Visionnaires #25
Les Visionnaires #26
Les Visionnaires #27
Les visionnaires #28
Les visionnaires #29
Les Visionnaires #4
Les Visionnaires #7
L’arbre d'AMAEL
L’arbre d'AMAEL
Mother Wood
Jems Koko BiMother Wood, 2020
270 x 70 x 60cm
No Man's Land  #2
No Man's Land #12
No Man's Land #24
No Man's Land #5
No Man's Land #5
No Man's Land #7
No Man's Land #8
No Man's Land #9
No man’s land #1
No man’s land #10
No man’s land #11
No man’s land #13
No man’s land #15
No man’s land #16
No man’s land #3
No man’s land #4
No man’s land #6
No man’s land #7
No man’s land #8
No man’s land #9
Pause Figurine #2
Pause, chaise #1
Pause, chaise #3
Père et Enfant
Racines
Jems Koko BiRacines, 2016
290 x 350 x 350cm
Récit nocturne
Refuge
Jems Koko BiRefuge, 2017
210 x 50 x 55cm
Siamois
Jems Koko BiSiamois, 2021
44 x 33 x 25cm
Troncommun
Jems Koko BiTroncommun, 2015
196 x 96 x 80cm
Untitled #1
Untitled #2
Untitled #3
Untitled #4
Untitled #5
Untitled #6
Untitled #7
Les Visionnaires #11
Les visionnaires #17
Les Visionnaires #21
Les Visionnaires #3
Les Visionnaires #5
Les Visionnaires #6
Les Visionnaires #8
Les Visionnaires #9
No Man's Land  #19
No Man's Land #10
No Man's Land #15
No Man's Land #16
No Man's Land #17
No Man's Land #20
No Man's Land #1
No Man's Land #13
No Man's Land #18
No Man's Land #2
No Man's Land #22
No Man's Land #3
No Man's Land #6
Jems Koko BiNo Man's Land #6
38 x 22 x 23cm
Au delà des chaises #2
Chaise nomade
Jems Koko BiChaise nomade, 2014
195 x 65 x 45cm
Passengers
Jems Koko BiPassengers, 2012
600 x 400 x 80cm
Pause figurine #1
Jems Koko BiPause figurine #1
201 x 35 x 30cm
Pause Figurine #3
Pause Figurine #4
Pause, chaise #2
Pause, chaise #4
Two chairs in love
Au delà des chaises #1
Empty
Jems Koko BiEmpty, 2016
650 x 80 x 200cm
Pause, chaise #1
Carnet intime
Jems Koko BiCarnet intime, 2017
331 x 70 x 74cm
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Galerie Cécile Fakhoury
Gallery
Galerie Cécile Fakhoury
Abidjan, Paris, Dakar

Galerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...

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