Visual Elements: The artwork features a large, crumpled gray sheet of paper with a repeating pattern of white markings and symbols reminiscent of tally marks or barcode-like patterns. The composition is striking and visually dynamic, with the creases and folds adding depth and texture.
Subject Matter: The paper appears to be a discarded or recycled material, suggesting themes of consumption, waste, or the impermanence of objects. The repetitive patterns and symbols create a sense of order and structure, yet also allude to the dehumanizing aspects of mass production.
Artistic Style and Technique: The use of found materials and the emphasis on the physical qualities of the paper, such as its creases and crumpled form, suggest a conceptual or minimalist approach. The repetitive markings and patterns evoke a sense of mechanization and automation, potentially commenting on the human experience in a technologically driven world.
Context: This artwork may be exploring issues of consumerism, industrialization, or the tension between the human and the machine. The artist's intention may be to draw attention to the often overlooked or discarded objects that are a byproduct of modern society, inviting the viewer to consider their broader societal and environmental implications. ...
Jesse Darling (b. Oxford, UK) is an artist based in London and Berlin working in sculpture, installation, text and sound. His practice delves into the fallibility, adaptability, and vulnerability of living beings, societies, and technologies. Using everyday materials like steel, plastic, and objects found in most households, Jesse fosters connections between individual existence and collective humanity, reflecting on impermanence and the shared condition that binds us together. Jesse is the winner of the Turner Prize 2023 ...
Founded in 2013 by Nicole Russo, Chapter NY is committed to supporting artists at various phases in their careers, by providing first solo shows and offering a platform for specific investigations within more established practices. By focusing on solo-presentations and working closely with each artist, Chapter NY helps realize tightly envisioned exhibitions that foster artistic exploration and growth. Russo brings over two decades of gallery experience to actualizing Chapter NY's program, drawing on her longstanding relationships to encourage ambitious presentations. The gallery started as a weekend project space before growing into a full-time operation, first representing artists including Mira Dancy, Willa Nasatir and Adam Gordon. In addition to an expanding gallery roster, Chapter NY has also provided a flexible platform for non-represented artists working across a range of media and experience, such as Keltie Ferris, Jesse Stecklow and Anicka Yi. In doing so, Chapter NY maintains its original mission to present experimental projects beyond the scope of traditional exhibitions. The program includes artists working in site-specific installation, sculpture, ceramics, video, drawing, painting, and photography. Represented artists have recently exhibited at the Whitney Museum of American Art; the Institute of Contemporary Art, Miami; the Los Angeles County Museum of Art; the Museum of Modern Art, New York, the New Museum, New York; Tate Britain; the Venice Biennale; and Atlanta Contemporary, Atlanta; among others. ...
