Forgotten World

Joshua Nathanson

Forgotten World, 201930.48 x 25.4cmSign in to view price
Details
MaterialGallery
chalk and oil pastel on paperVarious Small Fires
Description
Human-crafted. AI-refined.

This vibrant abstract painting features a dynamic interplay of bold colors and organic shapes. The canvas is a kaleidoscope of warm hues, including striking yellow and orange tones, punctuated by splashes of green, blue, and pink. The overall composition has a sense of movement and energy, with gestural brushstrokes and amorphous forms creating a dreamlike, almost surreal landscape. While there are no recognizable figures or symbols, the artwork suggests a connection to the natural world through its evocative, biomorphic shapes. The artist's unique style and expressive use of materials invite the viewer to engage with the work on an emotional and imaginative level, hinting at a deeper, personal exploration of the creative process. ...

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Joshua Nathanson
Artist
Joshua Nathanson
B.1976, American

Blending modernist painting traditions with contemporary ways of seeing, Joshua Nathanson creates large-scale, colourful and chaotic yet strangely cohesive paintings. Bridging representation and abstraction, digital and real, the works appear psychedelic in their Kandinsky-like composition, amplified by hyper-modern concerns and imagery. In his practice, Nathanson uses handmade brushes and paints, as well as his fingers, palette knives, airbrushes and iPads, to create vibrant patterns and layered perspectives, which only appear to be abstract. From the immediacy of lived experience to mental health issues and anxiety induced by the rush of living in the contemporary moment, Nathanson’s paintings tackle that which is familiar in chaotic and exuberant experiments. Written by Goldsmiths CCA ...

Joshua Nathanson: Artworks
funny how sumtimes im v thirsty but other times water tastes v gross & sumtimes i ❤ shopping but other times im a meatsack waiting to die
Joshua Nathanson
funny how sumtimes im v thirsty but other times water tastes v gross & sumtimes i ❤ shopping but other times im a meatsack waiting to die, 2016
213.36 x 154.94 x 3.81cm
Turbulence
Joshua Nathanson
Turbulence, 2016
213.36 x 154.94 x 3.81cm
time to buy some new hobbies
Joshua Nathanson
time to buy some new hobbies, 2016
213.36 x 154.94 x 3.81cm
Red Ant
Joshua Nathanson
Red Ant, 2016
213.36 x 154.94 x 3.81cm
Blanket
Joshua Nathanson
Blanket, 2016
213.36 x 154.94 x 3.81cm
mixed feelings on the passage of time
Joshua Nathanson
mixed feelings on the passage of time, 2016
241.3 x 426.72 x 3.81cm
One More Guy
Joshua Nathanson
One More Guy, 2016
187.96 x 137.16 x 3.81cm
Oscar's Raisins
Joshua Nathanson
Oscar's Raisins, 2017
187.96 x 137.16 x 3.81cm
Pond in the Woods
Joshua Nathanson
Pond in the Woods, 2017
213.36 x 154.94 x 3.81cm
Terminal Advance
Joshua Nathanson
Terminal Advance, 2017
187.96 x 137.16 x 3.81cm
Emotional Support
Joshua Nathanson
Emotional Support, 2017
213.36 x 154.94 x 3.81cm
Delayed Departure
Joshua Nathanson
Delayed Departure, 2017
266.7 x 111.76 x 185.42cm
Fissure
Joshua Nathanson
Fissure, 2017
187.96 x 137.16 x 3.81cm
Shitty Kaleidoscope
Joshua Nathanson
Shitty Kaleidoscope, 2017
213.36 x 154.94 x 3.81cm
Attaché
Joshua Nathanson
Attaché, 2017
213.36 x 154.94cm
Real Nature
Joshua Nathanson
Real Nature, 2017
396.24 x 182.88 x 137.16cm
Totally Fine
Joshua Nathanson
Totally Fine, 2017
187.96 x 137.16 x 3.81cm
Tea Kettle
Joshua Nathanson
Tea Kettle, 2019
30.48 x 25.4cm
Runoff
Joshua Nathanson
Runoff, 2019
30.48 x 25.4cm
Frog
The Frog
Joshua Nathanson
The Frog, 2018
58.42 x 51.44cm
The Toast
Joshua Nathanson
The Toast, 2018
58.42 x 51.44cm
Manifold
Joshua Nathanson
Manifold, 2018
213.36 x 188.59cm
Forest Lawn
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Forest Lawn, 2017
213.36 x 154.94 x 3.81cm
How Do You Trust Yourself?
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How Do You Trust Yourself?, 2017
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Blue
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Blue, 2018
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Birth of Geometry
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Birth of Geometry, 2019
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Forgotten World
Joshua Nathanson
Forgotten World, 2019
30.48 x 25.4cm
Various Small Fires
Gallery
Various Small Fires
Los Angeles, Seoul, Dallas

Various Small Fires (Los Angeles /Dallas /Seoul) began as a series of conversations with artists and curators in Esther Kim Varet’s Venice Beach kitchen while working on her doctoral dissertation. VSF debuted in Hollywood as an official gallery in 2015 with a roster of artists and its current Johnston MarkLee Architects-designed building. The Hollywood gallery contains three exhibition spaces, a unique sound corridor, and an outdoor gallery. VSF’s exhibition program explores several curatorial lines: climate, equality, and an international conversation. The gallery is known for offering artists debut shows, creating intergenerational conversations among the artists on its roster, and solidifying artists’ legacies within art history. In 2019, VSF opened a second location in the Hannam neighbourhood of Seoul, South Korea, followed recently this Spring by VSFs third outpost in Dallas, Texas. While Varet has very personal connections to both locations, they are also superlative art communities. These expansions emphasise the gallery’s commitment to innovation and global dialogue in the twenty-first century. In 2021, VSF became a member of the Art Dealers Association of America (ADAA). ...

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