Attaché

Joshua Nathanson

Attaché, 2017213.36 x 154.94cmSign in to view price
Details
MaterialGallery
acrylic on canvasVarious Small Fires
Description
Human-crafted. AI-refined.

This vibrant contemporary artwork features a dynamic composition of bold colors, organic shapes, and playful abstract patterns. The work employs a diverse palette of greens, purples, oranges, and blacks, creating a visually captivating and energetic scene. The style suggests a blend of expressionistic and surrealistic techniques, with gestural brushstrokes and biomorphic forms that evoke a sense of movement and imagination. The overall impression is one of whimsy and imagination, hinting at the artist's intention to transport the viewer into a fantastical, dreamlike realm. ...

Similar Artworks
Erable rouge
Loïc RaguénèsErable rouge, 2021
88.9 x 97.16cm
Saber donde termina/To know where it ends
1989 Románico/1989 Romanesque
Patricia Fernández1989 Románico/1989 Romanesque, 2019
33.66 x 28.58 x 5.08cm
Polyplumes
Untitled
Loïc RaguénèsUntitled, 2022
47.5 x 64.5cm
Cactus Trash and Treasure
Whitney BedfordCactus Trash and Treasure, 2016
91.44 x 121.92 x 5cm
Crystal Moon in June
Patricia FernándezCrystal Moon in June, 2020
22 x 13 x 2cm
Untitled (Sleep)
Patricia FernándezUntitled (Sleep), 2018
22.86 x 30.48cm
Énigme du jour
Océan sentimental (T)
Two of one (I)
Patricia FernándezTwo of one (I), 2023
49 x 34 x 6cm
Muva Gaia
Martine SymsMuva Gaia, 2021
84.14 x 62.87 x 3.81cm
The Rattler
Whitney BedfordThe Rattler, 2017
71.12 x 93.98 x 3.81cm
Full Snow Moon
Patricia FernándezFull Snow Moon, 2020
17.14 x 15.88 x 4.44cm
My elusive dream
Attente/Éveil
Luxury is personal
Martine SymsLuxury is personal, 2021
84.14 x 62.87 x 3.81cm
Box
Patricia FernándezBox, 2016
7.62 x 17.78 x 18.42cm
PREMONITION #139
Pin maritime
Loïc RaguénèsPin maritime, 2021
171.15 x 198.12cm
Galactic Moon in February
Patricia FernándezGalactic Moon in February, 2020
26.67 x 18.42 x 3.81cm
Bardo Parade
Whitney BedfordBardo Parade, 2017
71.12 x 93.98 x 3.81cm
Lunar Moon in September
Patricia FernándezLunar Moon in September, 2020
15.88 x 13.34 x 4.44cm
Book (Guston)
Whitney BedfordBook (Guston), 2012
45.72 x 55.88cm
Aulne de Corse
Loïc RaguénèsAulne de Corse, 2021
76.84 x 93.98cm
Garden party
Vidya GastaldonGarden party, 2013
205 x 280cm
Proof of Death (Bottle and Hat)
Patricia FernándezProof of Death (Bottle and Hat), 2015
38.1 x 57.15 x 3.81cm
Reine-des-bois
The Night Ahead
Whitney BedfordThe Night Ahead, 2017
91.44 x 121.92 x 3.81cm
Untitled
Camille HenrotUntitled, 2016
54.6 x 42cm
Highills
Vidya GastaldonHighills, 2018
100 x 160cm
34.54°N, 38.26°E
Patricia Fernández34.54°N, 38.26°E, 2010
170.82 x 76.84 x 5.08cm
Veduta (Gleizes)
Whitney BedfordVeduta (Gleizes), 2023
147.3 x 114.3 x 5cm
Untitled
Laura OwensUntitled, 2016
274.5 x 213.5 x 7cm
Untitled
Dianna MolzanUntitled, 2021
132.08 x 88.9 x 3.81cm
Aber-Wrac’h
Loïc RaguénèsAber-Wrac’h, 2021
88.9 x 97.16cm
Joshua Nathanson
Artist
Joshua Nathanson
B.1976, American

Blending modernist painting traditions with contemporary ways of seeing, Joshua Nathanson creates large-scale, colourful and chaotic yet strangely cohesive paintings. Bridging representation and abstraction, digital and real, the works appear psychedelic in their Kandinsky-like composition, amplified by hyper-modern concerns and imagery. In his practice, Nathanson uses handmade brushes and paints, as well as his fingers, palette knives, airbrushes and iPads, to create vibrant patterns and layered perspectives, which only appear to be abstract. From the immediacy of lived experience to mental health issues and anxiety induced by the rush of living in the contemporary moment, Nathanson’s paintings tackle that which is familiar in chaotic and exuberant experiments. Written by Goldsmiths CCA ...

Joshua Nathanson: Artworks
Turbulence
Joshua NathansonTurbulence, 2016
213.36 x 154.94 x 3.81cm
time to buy some new hobbies
Joshua Nathansontime to buy some new hobbies, 2016
213.36 x 154.94 x 3.81cm
Red Ant
Joshua NathansonRed Ant, 2016
213.36 x 154.94 x 3.81cm
Blanket
Joshua NathansonBlanket, 2016
213.36 x 154.94 x 3.81cm
mixed feelings on the passage of time
One More Guy
Joshua NathansonOne More Guy, 2016
187.96 x 137.16 x 3.81cm
Oscar's Raisins
Joshua NathansonOscar's Raisins, 2017
187.96 x 137.16 x 3.81cm
Pond in the Woods
Joshua NathansonPond in the Woods, 2017
213.36 x 154.94 x 3.81cm
Terminal Advance
Joshua NathansonTerminal Advance, 2017
187.96 x 137.16 x 3.81cm
Emotional Support
Joshua NathansonEmotional Support, 2017
213.36 x 154.94 x 3.81cm
Delayed Departure
Joshua NathansonDelayed Departure, 2017
266.7 x 111.76 x 185.42cm
Fissure
Joshua NathansonFissure, 2017
187.96 x 137.16 x 3.81cm
Shitty Kaleidoscope
Joshua NathansonShitty Kaleidoscope, 2017
213.36 x 154.94 x 3.81cm
Attaché
Joshua NathansonAttaché, 2017
213.36 x 154.94cm
Real Nature
Joshua NathansonReal Nature, 2017
396.24 x 182.88 x 137.16cm
Totally Fine
Joshua NathansonTotally Fine, 2017
187.96 x 137.16 x 3.81cm
Tea Kettle
Joshua NathansonTea Kettle, 2019
30.48 x 25.4cm
Runoff
Joshua NathansonRunoff, 2019
30.48 x 25.4cm
Frog
Joshua NathansonFrog, 2019
30.48 x 25.4cm
The Frog
Joshua NathansonThe Frog, 2018
58.42 x 51.44cm
The Toast
Joshua NathansonThe Toast, 2018
58.42 x 51.44cm
Manifold
Joshua NathansonManifold, 2018
213.36 x 188.59cm
Forest Lawn
Joshua NathansonForest Lawn, 2017
213.36 x 154.94 x 3.81cm
How Do You Trust Yourself?
Joshua NathansonHow Do You Trust Yourself?, 2017
241.3 x 175.26 x 3.81cm
Blue
Joshua NathansonBlue, 2018
175.26 x 154.94cm
Birth of Geometry
Joshua NathansonBirth of Geometry, 2019
163.83 x 185.42 x 3.81cm
Forgotten World
Joshua NathansonForgotten World, 2019
30.48 x 25.4cm
Various Small Fires
Gallery
Various Small Fires
Los Angeles, Seoul, Dallas

Various Small Fires (Los Angeles /Dallas /Seoul) began as a series of conversations with artists and curators in Esther Kim Varet’s Venice Beach kitchen while working on her doctoral dissertation. VSF debuted in Hollywood as an official gallery in 2015 with a roster of artists and its current Johnston MarkLee Architects-designed building. The Hollywood gallery contains three exhibition spaces, a unique sound corridor, and an outdoor gallery. VSF’s exhibition program explores several curatorial lines: climate, equality, and an international conversation. The gallery is known for offering artists debut shows, creating intergenerational conversations among the artists on its roster, and solidifying artists’ legacies within art history. In 2019, VSF opened a second location in the Hannam neighbourhood of Seoul, South Korea, followed recently this Spring by VSFs third outpost in Dallas, Texas. While Varet has very personal connections to both locations, they are also superlative art communities. These expansions emphasise the gallery’s commitment to innovation and global dialogue in the twenty-first century. In 2021, VSF became a member of the Art Dealers Association of America (ADAA). ...

Unlock Price & Inquiry Access